October 23, 2019

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In just a couple of days, the European Broadcasting Union will be officially unveiling the running order for this years' edition of the Eurovision Song Contest semi-finals in which Malta will be competing for yet another year as they hope to qualify to the final with Tomorrow co-written by Boris Cezek and Dean Muscat with vocals provided by Gianluca. We would like to invite you to the weekly Ultimate Eurovision Experience. Apart from the means of FM Radio in the Netherlands on FM 106.8 and the audio stream from the studio via www.radiointernational.tv and on Digital Cable 781 & cable 88.1Mhz in the Netherlands, the show will also be web-televised via the Radio International TV Channel from the studio and linking up the many international Eurovision fans and friends and play your requests and read your messages out on air. The simulcast will be from 2000 – 2300 hours CET when fans can join in and chat amongst each other via the Chat Room and request their favourite Eurovision entry.

One of the most professional selections to take place during this years' national selection season is definitely the Malta Eurovision Song Contest noting that the show was produced at an extremely high quality production apart from the fact that most of the songs could have all been worthy representatives hence forth the public and the jury made different selections. One of the artists which we managed to interview during our annual stay is none other than two time finalist; Deborah C whose entry Love-O-Holic was composed by Johan Bejerholm to the lyrics of Gerard James Borg. The public had somewhat realised that this is a track with potential awarding it sixth place within the tele-voting with the jury giving it a slightly lower position nevertheless, enough to finish within the top ten at an extremely respectable ninth place which is definitely better than last years' disappointment. Deborah C was the winner Konkors Kanzunetta Indipendenza last September and therefore has been riding a wave of momentum.

http://www.youtube.com/watch?v=9dApJEVrUMg

Belgium are somewhat similar to The Netherlands with regards to their qualification record at the Eurovision Song Contest having only qualified from the semi-final once having been pre-qualified to the final in 2004 based on the result achieved the year before by Urban Trad and their track Sanomi. Nevertheless, the man who managed to take the nation into the final for the very first time since then was none other than Tom Dice who by his standards was still a newcomer in 2010. He presented a beautiful guitar ballad entitled Me and My Guitar which did not sound of place during the competition and lit the venue up in Oslo, Norway. It finished first in the semi-final and ultimately managed to finish in sixth place when the final results where being read out. It was definitely a coup for the nation who are hoping to reach the final once more this time round with the track Love Kills performed by Roberto Bellarosa. Tom speaks to us with regards to his experience within the music scene, his two successful albums and what lies ahead for him in the future.

http://www.youtube.com/watch?v=Nk1UAXlfBUA

There will also be an interview with Joel Bennett, host of W12P, a radio show about the Eurovision Song Contest. Radio International is always keen to present songs during the show apart from the weekly features and therefore, collaborating the two ideas together will see the emergence of Eurovision UnverCover whereas tracks performed at the Eurovision Song Contest will be covered by other singers. The actual tracks will be played first followed by the cover and this will make things interesting. Apart from this feature, there will be new material played on the show by a number of former representatives including Sertab Erener. All of the latest news is also covered during the weekly broadcast noting resources from escflashmalta.com and escXtra where Luke Fisher, the Editor makes a weekly round-up. A round up of the current betting odds of this years' Eurovision Song Contest will be conducted by Alasdair Rendall. Follow the show through the official website and also send your requests through the contact link which is found on the aforementioned website.

Source: Radio International

Deborah C, one of the finalists in this years' edition of the Malta Eurovision Song Contest with the track Love-O-Holic composed by Johan Bejerholm and penned by Gerard James Borg, has just released her entry onto digital store, iTunes. The recording, production and distribution is being taken care off by CAP-Sounds, noting that the songwriter has worked with Fabrizio Faniello in the past, and with Deborah C being the backing vocalist for No Surrender that year, it doesn't come as a surprise really. It has already appeared in the top two hundred (200) on iTunes in the past couple of hours, so people have already started to purchase their copy.

The local performer has come out of nowhere, to lead the music scene in the country following her successful triumph at the Konkors Kanzunetta Indipendenza with the song Jekk Nużaw Moħħna composed by Mark Spiteri Lucas to the lyrics of Joe Chircop. Love-O-Holic was the second entry that Deborah C performed at the Malta Eurovision Song Contest having qualified in 2012 with the song You Make Me Go Uh Uh featuring Leila J but this was the first time she made it into the top ten, by virtue of a ninth place finish. You make purchase your copy of the sound file by visiting iTunes. It will be receiving airplay on several radio station in Europe. Stay tuned to escflashmalta.com for all of the latest news with regards to the local music scene.

Source: CAP-Sounds, iTunes, Emil Calleja Bayliss (Image)

http://www.youtube.com/watch?v=9dApJEVrUMg

Published in Local Music News
Saturday, 02 February 2013 17:30

Malta Eurovision 2013: The Final - LIVE

For the past twenty-five years, Malta has selected entries which have achieved various results, including close first runner-ups in 2002 and 2005 respectively, but nevertheless, in a minority when it comes to the non-winners' circle alongside nations such as Iceland, Cyprus, Albania, Poland, Romania, Slovakia, Portugal, Moldova and Belarus amongst others. This time round, our nation will be sending the twenty-sixth representative from a field of sixteen (16) entries which were shortlisted from an earlier list of twenty-four (24) as performed during the semi-final last night. The chosen act will hopefully follow in the footsteps of Kurt Calleja who qualified for the final with his track This Is The Night last year. The Malta Eurovision Song Contest has become something of a tradition in the past couple of years and despite the technical issues yesterday, one will be hoping for a much smoother transmission this evening!

This years' edition of the Malta Eurovision Song Contest is being broadcast through TVM, TVM 2 with special commentary by Norman Vella and Rodney Gauci, Radju Malta with commentary by Frederick Zammit and also through the official website of the Eurovision Song Contest. The hosts for the evening will be Elaine Saliba and Gordon Bonello whose roles will surely be larger this evening considering that they will be interviewing each of the sixteen (16) acts that made it through to the final. Rodney Gauci will also be doing a number of backstage interviews during the show in order to give the audience, a behind the scenes element. A number of special guests will be taking to the stage this evening including; Gorġ u Pawlu with the song Hot & Famous, the Swiss representatives; Heilsarmee who will be singing their entry You and Me, Kurt Calleja who is set to do a medley of original and cover songs and last but not least, the cast of D.R.E.A.M.S who will be opening the show with a medley of original songs in Maltese.

All right, the show is ON! The cast of DREAMS have taken to the stage... but those watching the commented version have been taken to the side to listen Norman and Rodney, blabbing. If “Majestuz, kbir” are the sort of comments we’ll be having, then I rather doubt many will be watching it on TVM2. OK, Norman, you’ve already cracked this joke. No need to keep telling us about Anton making you comment in exchange of a 2 free tickets. Will this commented version really be a side-watch of these two blabbing away? We’re missing out on the whole show. Please! 


It seems to have hit them, finally. We’re now watching the DREAMS cast giving what I can call a splendid performance. It’s cool to have this sort of Medley in a fun manner. Thumbs up to DREAMS - great opening! 

I can’t, for the life of me, follow this commented version. I wouldn’t mind skipping half the show if these two were really good at it. But they are wooden. The comments are, well, non-existent and they really look tacky with people just popping by to say something. Off to TVM, as it’s the show I’m interested in, anyway.  

Gordon and Elaine seem set to give a better show tonight. No, I have to take that one back... it’s too rehearsed. Elaine replies to the jokes before they are even completely spoken. It’s also looking a tad too wooden. And what do you do when you’re stuck? Well, you ask Carlo Borg Bonaci to save you, of course. Actually, this gets me thinking. Why couldn’t he have been the host? He’s great personality, really. Just a couple of lines and the ice has now been totally broken.  

Running Order

01. Superstar - Scar (Konrad Pule)

Scar gave a good show; the whole performance is convincing, with very strong stage presence. The leading singer is enjoyable and there’s utmost harmony in the group. In Calvin Klein laid-back looks, this cool pop-rock act is a twist you simply need to have in such a final. There’s nothing too fancy - and that’s surely a plus. Having said that, upon listening to the song more than once, you realise there’s very little to it. The structure and the idea work well, but you get the feeling there is something missing. I like it, yet it would have to undergo some serious arrangements in order to be deemed strong. As it is, it’s too much of a hey-it’s-good-but-nothing-major.  

02. Starting from the End - Dorothy Bezzina (Magnus Kaxe / Gerard James Borg)

One cannot overlook the great chorus of this song, it accompany’s Dorothy beautifully: it simply puts the song on an altogether higher level. Today’s performance, if possible, seems even stronger! You simply have got to love how Dorothy seems to play with the vocals with such ease; something to be truly appreciated in such contests. You can really feel the energy coming your way with the melody. Yet, though it was to be expected that the song would go through to the final, I think it will be hard for Dorothy to be Malta’s envoy: this is surely not the singer’s fault, but merely the song’s. It seems to me it lacks that little something which makes you say “that’s it!”  

03. My Stranger Love - Corazon (Paul Giordimaina / Fleur Balzan)

 

You can tell Corazon is doing her best to deliver. She has a good command of the voice; she knows how to work with it. It literally sounds like something coming out Disney! And yet, could anyone tell me what the song is really saying? I cannot quite put my finger on it: yes, there are many flowery words and all, but you can’t impress with that, can you? Also, the dress just didn’t work here. In fact, it looks so much better while she sits at the piano (rather Alicia Keys kind of thing if you ask me). Unfortunately, though I don’t mind it all that much, the history of the Eurovision works against this act: hardly do you see such songs doing well. All in all, I quite doubt she’ll be a high-flyer tonight. 

04. Ultraviolet - Jessika (Thomas G:Son / Philip Vella / Gerars James Borg)

Jessica simply loves the Eurovision - this is the first thing you notice once she takes to the stage (that and her hair look, very edgy, actually!) The singer oozes energy from all her pores. I like the singer more than I like her song, which doesn’t really tickle my fancy. Unfortunately, I don’t think this particular song does her justice; it comes across as if she’s straining her voice, though at some instances it strangely becomes really appealing and convincing. Possibly that’s the swedish element by G:Son...which could ultimately do well in Sweden this year. The song needs to be re-touched and enhanced in many aspects. As it is, I believe the song won’t place among the top ones. I must concede, though, that today’s performance was so exceedingly better than yesterday’s! 

05. Us Against the World - Gianni (Boris Cezek & Dean Muscat)

 

Gianni’s vocal range is limited, so you can easily notice he struggles with certain notes. However, this doesn’t really make you dislike the song. Actually, the very chilled feel that comes off that stage when Gianni and his band are at it is somehow pleasing. I think it evokes a something-Indie-like feel, which is rather nice on the ear. The only thing is that when you listen to the song per se you would imagine someone younger singing it. Though it’s generally good, I think it wouldn’t perform well in Sweden.  

06. Betrayed - Davinia (Elton Zarb / Muxu)

 

If you wouldn’t be looking at the TV, then you would just have to do it once Davinia starts singing. She has a peculiarly sultry voice, which really breaks the routine. I think that in reality, more than to the song itself, people listen to the daunting voice. I'm in a bit of a predicament, I think that on the whole I’m rather happy with the diversity this song has to offer. It’s very cool and in, and you can’t dispute that. The song will have to be enhanced and given a stronger feel to it. It really wouldn’t displease me if this act flies to the top.  

07. Needing You - Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

 

Kevin is a strong singer. His winning the Swedish Pop Idol sort of proves that. It is exactly because you’d have high expectations that you would be looking forward to a really strong song. This is a hooking ballad, but I would say it has a bit of an old feel to it. The whole show was a good one; the voice, the lyrics, the melody. I can’t quite understand the purpose of having that model/dancer coming out at the last bit of the show, though... that’s surely an unnecessary element. I tried making myself like the song more, especially because I believe tonight's was much stronger and it stands a very good chance of making it to Sweden (at least if all that clapping and people standing is anything to go by), but I just cannot fall in love with it. Oh well.  

08. Fall Like Rome - Richard Edwards (Magnus Kaxe / Philip Vella / Gerard James Borg)

I really believe Richard has a beautiful voice; and his immaculate diction just renders his singing even more hooking. The looks are good - laid-back, yet stylish. That’s exactly what this sort of song asks for. I have my reservations when it comes to the song per se. I was expecting Richard to present us with something better and altogether stronger. The lyrics are too loaded, and I feel sort of confused in trying to grasp what it’s saying. The melody is very good and his falsetto skills are rather good (though yesterday they seemed more evident). Today's performance was dirtier than yesterday, also. But Richard is one of those who could have the so-called ‘package’ - but that will demand some thorough work on the arrangements.  

09. Perfect Day - Janice DeBattista (Boris Cezek & Dean Muscat)

Janice has a pleasing voice, but I can’t really get through to the song. I don’t like what she’s done with the attire and all... it almost looks dull. I think that such a young singer could play more with it. As for the song, it just doesn’t do it for me. I’m bored all through. Most of the others are head and shoulders above this one. I think it would get lost in the crowd were to be Malta’s envoy. It’s something you listen to just one - if at all. 

10. Love-O-Holic - Deborah C (Johan Bejerholm / Gerard James Borg)

This is the typical cliché you would be happy to have missed, then it pops up on TV and it knocks you down. There’s really nothing much I have to say about this one. I’m just surprised to find it in the final. I think that the semis were already too much of a present. When the song starts you think it’s so bad that it just has to get better. Alas, it really doesn’t. I concede that Deborah looks very natural on stage, but that’s not enough. Having said that, I believe this song is one of those you can either love or hate. I belong to the latter group. 

11. When It's Time - Claudia Faniello (Errol Sammut / Claudia Faniello)

 

Claudia is one of the few singers who gets better as an artist with each passing year. I don’t like the outfit much; I can’t seem to place it. I like the song and the music. Her rock-like voice blends in very well. The chorus is also a catchy factor in this one. All in all, it’s a song you want to listen to, and today’s performance was more powerful! However, I believe it needed some more work in reality. She should do well, yet it’s not this year’s winning song. It lacks that final convincing element. 

12. Tomorrow - Gianluca Bezzina (Boris Cezek & Dean Muscat)

Gianluca’s personality is as infectious as is his song: I honestly believe it has all the prerequisites. And I'm even more convinced after today's performance! The song has good lyrics and melody, and the vocal range of the singer perfectly accompanies the whole act. In reality, there is nothing really ground-breaking with the song, but with everything seemingly falling into place, you just get to like it and, well, you have to sing along. Some have said it’s not very Eurovision-friendly, but I wholly disagree with that. I think it could stand out in the crowd were it to make it. Come on, Gianluca, win! (And take Dorothy with you, for the backing! Yes!) 

13. Never Walk Away - Chris Grech (Grech / P Borg / M Borg / D Cassar Torreggiani)

I understand the hype surrounding this song/singer. He has great vocal skills in reality. The husky voice gives a nice feel to the song. The laid-back look is also welcome. If I have to come clean, however, I would say that the song lacks a proper climax. I listened to it all because what he does with the voice is really good. I think that with a good arrangement, this pop-rock one could easily become a radio hit. It definitely stands a good chance tonight, and it’s indeed one of my faves.  

14. Wonderful Today - Petra & Richard (Wayne Micallef / Richard Micallef)

I like Richard. I like Petra. But I don’t like them together here. I think Petra’s solo should’ve made it instead of this one. It was definitely stronger. The voices don’t seem to blend well together. Petra seemed overpowering to me. I am not too keen on the chorus, either. I was never too fond of duets, as it takes a special something for it to work as expected. Sadly, I didn’t see that tonight. 

15. In Control - Amber (Paul Giordimaina / Fleur Balzan)

Amber has great stage presence; she seems really comfortable up there. Unfortunately, I don’t think the attire has helped her much; nor did that of the backing vocalists’. It seems to me there was too much going on. She is usually the sort of singer you wouldn’t forget.  Well, after tonight, we’ll remember her for sounding a tad too sharp (not really in control) - better than yesterday, granted, but still not 100%. In any case, I don’t think this particular song breaks much ground. It has a good flow to it, yes, but that won’t work enough wonders.  

16. Too Little Too Late - Domenique (Marc Paelinck / Matthias Strasser)

I feel there’s hardly anything appealing about this act. The singer looks much older than she is. I can’t understand why they would make her go for such heavy makeup, jewellery and hair-do - she’s a pretty girl, and that’s evident. Overdoing was counterproductive.  The song just doesn’t convince me: it’s too much of a sombre ballad and she seems to find it difficult to change register. At times she was completely off. Again, there were much better songs that could’ve been here instead of this one. 
 

The Show (Part 2)

So the 16 acts are now over. Everything ran smoothly tonight, so the singers seem very pleased. In fact, after a recap to refreshen the audience’s memory, we are now being taken on a tour among the participants. And of course, we have a comfy, laid-back chit-chat with all of them. 
 

Time’s up! Tele-voting has now been closed. We’re taken back for some more small chat with the 16 contestants who, with each passing minute, look more and more anxious. In reality, this is the moment I dread the most. You get bombarded with loads of adverts, which ultimately just tire you out and make you contemplate whether you should just change channel or not. 

Seems like Petra and Richard’s wasn’t the only duet for the night. Gorg and Pawlu have now joined Elaine on stage and they seem to be prepared to perform their long-awaited Hot and Famous. All right, it’s just a rip-off of Gangnam Style and Slamdog Millionnaire. Mediocre, really. Some music playing, a lot of people dancing in the background and Rodney and Gordon disguised as Gorg and Pawlu. I may be very difficult to please, but whoever thought this would be fun was incredibly mistaken..so it’s really bad when Elaine asks for a “capcipa kbira”!  

OK, taking the stage now are the act representing Switzerland in this year’s Eurovision. I believe that if we make the right choice, we could actually do better than them.  Following is Kurt Calleja ...and he seems to have decided to go for a big performance. Well, albeit not impeccable (OK, you're right, it's a showcase of how-to-be-off), it has at least helped shake off the dullness that was about the engulf this second part of the night. 

Funnily enough, though we are still awaiting the results, it is being rumoured on another website that Amber is the winner. The website has since removed the page and it stated it was a technical error. Well, we'll soon discover that - the judges are now announcing their votes! 

Gianluca Bezzina is now leading the show, for the judges seem to have chosen him over Kevin Borg (who won the public vote). And it is with Carlo Borg Bonaci that we've had the confirmation - 


I cannot be any happier in announcing that GIANLUCA BEZZINA is the winner! Tomorrow will be representing Malta in Sweden! The audience doesn't seem all that happy, as the clapping has gone missing after Kevin Borg was confirmed first runner-up. 


Finally, 
One cannot not give credit to PBS when this is due. Tonight’s show ran smoothly - the sound, too, worked well. It’s good to see they have worked hard to make sure there wouldn’t be any snags today (unlike yesterday’s!) But that is where the praise starts and ends.  

 

What about the ‘jokes’? Don’t you think they were just as tacky? I saw no wit and no fun there. Of course, they couldn’t possibly harp on about politics: their bee in the bonnet must have been given some fresh air. (To which we all said “yaaayyy”, right?) Then we had: “liii tenk god ma libsitiex Carina” - Seriously, Gordon? Did you actually think that was a sharp one? No, throwing a jibe at Carina here and there just didn’t save the day. Nor did those crappy poems. Who comes up with these ‘brilliant’ ideas? 

 

I also think Elaine Saliba, despite being an adorable girl, just isn’t cut for this kind of thing. I still believe that Valerie Vella should host this show. She is polite, elegant and knows how to be pungent, without ever crossing the line. 

 

However, tonight we had an extra. We had the commented version on TVM2. I had to go back and forth to check what great work they were doing on the other side... and well, each time I was let down. You simply have to ask it: why, exactly, would they have a commented version without having decent commentators? Norman Vella may have been blessed with many things, but pungent remarks aren’t among that list.  

The Public Broadcasting Services are proud members of the European Broadcasting Union and thus have the possibility of competing in a number of events including the Eurovision Song Contest, which has been found to be the most watched non-sporting event in several countries and having an audience which reached to four corners of the globe. Malta has been competing for twenty-five years with the initial participation coming in 1971, followed by another in 1972, then three years later in 1975, followed by a sixteen year period before participating in every other edition since then. Gaining the responsibility of representing a country is not an easy feat and some artists including Chiara and Fabrizio Faniello had the opportunity to do so on three and two occasions respectively. Exposure is the key to success and when it comes to the national selection stage, the broadcaster has really been working on improving the showcase and this has been seen in the past three years as both the show and the song quality have somewhat peaked this time round. escflashmalta.com is also doing a round of promotions through reviews, with the final winner to be revealed on NET Television within the programme Sas-Sitta days after the competition. The seventh entry to be reviewed is Love-O-Holic performed by Deborah C, composed by Johan Bejerholm and penned by Gerard James Borg.

Deborah C is a relatively young performer at just twenty-two years of age but nevertheless, it is worth noting that she has become somewhat renowned through her participation in the leading competitions in the country starting at a very young age through the Junior Malta Eurosong competition in 2005 with the track Closer which had finished in tenth place at the end of the evening with 69 points. The following year, the upcoming performer decided to compete in the Malta International Television Song Festival which aired on ONE Television under the scrutiny of Norman Hamilton and ultimately qualified with the track Hemm Int composed by Mark Debono and penned by Doris Chetcuti. She continued to develop her genre even further and then took the Konkors Kanzunetta Indipendenza by storm having managed to qualify to the event on three occasions; the first time in 2008 with Pandora composed by Philip Vella and penned by Gerard James Borg, the second time in 2011 with Fjamma composed by Philip Vella and penned by Gerard James Borg and last year having made it through with the track Jekk Nużaw Moħħna composed by Mark Spiteri Lucas and penned by Joe Chircop. All of the three tracks won the tele-voting portion of the competition whilst the latter was also the winner of the jury voting. 2012 will always be an important year for Deborah C because alongside Leila J, she also made the finals of the Malta Eurovision Song Contest.
 
http://www.youtube.com/watch?v=363VFdq33Mw
 
The renowned performer will be making her solo debut in the Malta Eurovision Song Contest 2013 because she will be taking to the main stage being credited with the main vocals on her own although backing vocalists are definitely expected within the track Love-O-Holic which has been branded as a typical Eurovision Song Contest entry by numbers which needs that specific oomph for it to come through. It will definitely be a demanding entry where the vocals are important and therefore, with the right stunts could be well performed. Credibility has been key and Deborah C has been earning herself quite the fan-base by virtue of appearing on the weekly popular programme Ħadd Għalik which airs on Television Malta, is hosted by Angie Laus and produced by Where's Everybody as was the case with the previous performer presented, that being Franklin. The songwriting credit in this song has a lot of weight noting that the composer is none other than Johan Bejerholm who has already been a runner-up at the Eurovision Song Contest with this entry Always presented for Azerbaijan in 2009 respectively whilst the lyrics is Gerard James Borg who has been to international showcase on five occasions, with a first runner-up finished coming in 2002 thanks to 7th Wonder performed by Ira Losco. It is quite intriguing to denote that the local songwriter has worked with a number of artists from all across the world and indeed has been a stunning portfolio throughout the years. 
The Critics Speak Out
 
Rating: 57%
 
Sharon Vaughn: Unfortunately, there is absolutely nothing I have to say about this track which is complimentary. Cliche after cliche.
 
Martin Isherwood: Interesting title. Some dubious lyrics. Great voice. Got the right energy but I'm not sure it's convincing enough. 
 
Stano Simor: Deborah is very natural on stage. The chorus is very catchy. On the other hand, chorus reminds me the German schlager charts. It definitely has a great chance to get into the final though. 
 
Roberto Meloni: This is quite bad actually, and it does indeed get worse when it goes into the refrain from the verse and let's just not mention that bridge because it is truly horrendous. Mamma Mia!

Lina Eriksson: Another hooky title.  Modern and with good lyrics this song is really hooky.I believe it can make it really far in this competition. Great singer. I’m not crazy about the mid-eight part though. 
 
Source: Public Broadcasting Services, escflashmalta.com

http://www.youtube.com/watch?v=ul0N272lbY4
Published in Editorials