November 15, 2019

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Tuesday, 18 November 2014 15:15

Malta: Sophie DeBattista Blares Out New Sound

Sophie DeBattista, a female singer/songwriter who has been part of the line-up at the Malta Eurovision Song Contest on two occasions, in 2011 with "Love to Love You" and in 2014 with "Let the Sunshine In" has just laid down a brand new single, one bearing the name "Beer Goggles". It has a fun twist, a catchy chorus, and an overall charm which somewhat resembles that of Lucy Spraggan in her hit song "Last Night (Beer Fear)".

Reading for a Bachelor of Arts in Music, Sophie is known to the general public as the young girl who not too long ago took to the stage on behalf of Malta at the Junior Eurovision Song Contest with the track "Extra Cute". Since then, the female singer/songwriter has relocated to the United Kingdom where she has been having a blast, releasing new material, and also supporting major stars such as Ciara. We urge you to stay tuned to even through Facebook and Twitter for all the latest news about the Malta Eurovision Song Contest 2015.

Source: Sophie DeBattista (Facebook, Twitter)

Wayne Micallef, now styled as Wayne William, following in the footsteps of his brother, Richard Edwards, first emerged in the local music scene as a solo artist back in 2009 during the Malta Eurovision Song Contest, where he had been granted a finalists’ slot with the track Where You Belong, a co-write with Luke Ambrogio. The male vocalist, whose timbre is very much existent has gone on record stating that whilst he enjoys the thrill of the competition, he aims to get his music across all borders and such an event has always been a stepping stone for those who make use of it in a correct manner.

As often depicted, the life of an artist in Malta is seemingly unglamorous, due to the fact that there are no record labels supporting the artists, despite being extremely talented as seen with the success of Gaia Cauchi in the recent edition of the Junior Eurovision Song Contest, where she was crowned as the winner. Wayne William, who has just recently got married to an American, has decided to give it a shot and compile the work that he has been creating in recent years in a studio album, one that the fans would appreciate and hopefully purchase through digital store, iTunes.

Album Title: The Parade

Released: 12th December (International)

Upon its release onto the digital music circuit, had the pleasure of obtaining a copy in order to conduct a proper review, and indeed, it was a delight to listen to the album in full, especially for the simple reason that it is very much laid back in terms of vocals, whilst incorporating a professional production and mix, worthy of international recognition. A debut album could never be easy to release, for the simple reason that you have to make sure that you are devoted to your fans, whilst still possibly giving a fresh edge, possibly winning over new listeners and appealing more to the masses.

Wayne William’s background is predominantly based on the Malta Eurovision Song Contest and his four entries as a solo artist, along with another two entries as part of the family trio, known as The Mics. In his debut studio album, Wayne has carefully co-written all of the tracks, and thus the selection had to be done in an extremely careful manner, in order to have the right balance in genre, taste and quality. On his official website, which he has also just launched, he has gone onto thank his sister and brother, Michelle Mifsud and Daniel Micallef for backing vocals and guitars respectively, James Bartolo for co-writing some of the songs and Tony Polidano on the bass.

Tracks to look out for:

The Parade - Honestly, I can understand why Wayne selected this song as the title track, because it does clearly stand out on its own, in a different genre from the others because it is more uplifting. There is a sound, which was somewhat amplified better in the seventies and made a comeback in the nineties through the song Torn by singer/songwriter Natalie Imbruglia. This is also one of the tracks in which Wayne is almost making use of his full vocal capabilities, altering between head and chest voice relatively easily. I found this track to be particularly pleasing because it did change the vibe of the whole collection whilst still remaining true to the devotees.

Tonight – I was relatively sceptic in selecting this song, due to the fact that the piano is very much in similar vein to the last track which is being presented but nevertheless, the focus here is rather on the lyrics than the music because there is so much emotion, that one could hear it seeping in through the music. Wayne William is known to have an emotive character on stage and I can very much picture him performing this against a black backdrop, on a grand piano with tears falling down his face. I would have kept it even simpler but I cannot say that the drums and guitars were too much of a distraction.

Time - If an artist would like to win me over quickly is by using a grand piano, or at least, making sure that the sound is pretty similar and that is where, Wayne William has managed to strike a chord with me. The eleventh and final track on the album has already been presented to the public at the 2012 edition of the Malta Eurovision Song Contest, managing a trip to the final, where it was greatly underappreciated and finished in twelfth place with ten points, all from the professional jury. The vocal range is ideal, and the merge with the music and the slight addition of backing vocals make it a timeless classic, and one of Wayne’s career highlights.

Final Verdict:

In listening to this first studio effort, I kept an objective view on the music, the lyrics and their prowess combined and all in all, I must say, this is a brilliant first album and there is no way to go about it. In a way, having listened to the whole eleven tracks in full, I find myself a tad disappointed about the choice of the first single, Don’t Fade Away which in my opinion is just an album track, especially in comparison to at least, about five songs which I would have clearly selected as other singles. Still, I am very much picking on titbits in order to make sure that I do not create a perfect view of this record which I do recommend you buy, especially if you’re in the mood of some relaxing music.

Published in Editorials

The Public Broadcasting Services and the European Broadcasting Union might have just come to an understanding with regards to the hosting of next years’ edition of the Junior Eurovision Song Contest, yet it is pivotal to denote that certain details are also being decided by both parties over the next couple of weeks, including the venue, the dates, and of course, the hosts. It comes as no surprise that most of the current roster at Television Malta are seemingly interested in this gigantic opportunity and the general public are putting forward their favourites, according to a doodle poll in which anyone could select anyone of three (3) sets of presenters, a male and a female.

At this current moment, the winning team is quite simple, the female host being none other than former Eurovision Song Contest representative; Ira Losco who is yet to ever be appointed host and, the male host being the experienced, Keith Demicoli who has already hosted the Malta Eurovision Song Contest on two occasions; in 2010 and 2011, with Pauline Agius and Valerie Vella respectively. The renowned newscaster, Keith is running away with the others on the list, including Pablo Micallef and Janvil, both of which were also hosts of the Malta Eurovision Song Contest in the past, and both currently hosts on Television Malta. Who would you like to host the upcoming edition of the Junior Eurovision Song Contest? Let us know and stay tuned to for all of the latest news.

In 2011, Glen Vella won the Malta Eurovision Song Contest with the track One Life composed by Paul Giordimaina with lyrics by Fleur Balzan even though the international critics has somewhat selected Richard Edwards and his entry Finally which he co-wrote with Jan Van Dijck, which in turn finished in second place. In a recent interview with Wayne Aquilina on the ONE Television programme Kelma Bejn Tnejn, Glen Vella revealed that had he been a judge rather than one of the competing artists, the decision would have been simple due to the fact that he was somewhat gobsmacked by Richard Edwards' performance.

Since his first runner-up finish at the Malta Eurovision Song Contest, Richard Edwards has returned to the event in 2012, with the track Look at Me Now co-written with Jan Van Dijck with which he managed a respectable fifth place and in 2013 managed a sixth place finish with the song Wonderful Today performed in duet with Petra and thirteenth place with Fall Like Rome a co-write between Gerard James Borg, Magnus Kaxe and Philip Vella. In the meantime, Glen Vella has managed to make the most of his experience at the Eurovision Song Contest garnering contacts all over Europe which have helped him with new material and with giving performances abroad. One Life failed to get through to the final with just one (1) point but Glen was never discouraged and would love to return to the world of the Eurovision Song Contest should the right song come along and should the rules permit it. Stay tuned to for all of the latest news. 

Source: Kelma Bejn Tnejn (ONE Productions), JJ Chircop Photography

Published in Local Music News

Jessika, one of the younger vocalists in the local music scene with ample experience achieved within the festival circuit, having been a contender at the Malta Eurovision Song Contest on four occasions, reaching the final round on two of such occasions. In recent months, she has taken up a lead role on the television series Il-Klikka which has sparked her popularity even further and saw her place at an even better position at this years' showcase. has been in touch with the vocalist turned actress about her current career endeavours in both music and film.

Jessika, one of the fast rising stars in the local music industry especially following your latest participation within the Malta Eurovision Song Contest where you presented the track Ultraviolet composed by Philip Vella and Thomas G:Son with lyrics provided by Gerard James Borg. This was the very first time that the trio has collaborated together on an original song and you were fronting their product, one which was very much appreciated by the public. What was your initial reaction when listening to the demo version of the song and do you have a clue to how the collaboration between such talented songwriters came about? 

I immediately fell in love and I think that’s quite important as it’s perceived by the audience when I’m performing it. Philip Vella and Gerard James Borg were always friends with Thomas G:Son but never had the chance to collaborate on something. This year they had the chance to do it and I was the lucky chosen one to perform the song Ultraviolet and I will always cherish the opportunity given as it was one of the greatest experiences so far.   

In 2008, Jessika formerly known as Jessica Muscat made it through to the Malta Song for Europe for the very first time and the blonde haired, green wearing lady took to the stage in a supposedly angry manner as she performed the track Tangled composed by Philip Vella to the lyrics of Gerard James Borg. On that occasion, it was not meant to be and you did not get through to the final but so did a hefty amount of established artists including former Eurovision Song Contest representative; Mary Spiteri amongst others. Looking back, how did you view the experience and what would you have done differently?

It was my very first experience in a contest of that calibre and I performed in an energetic manner rather than an angry one, if I can correct you. I was still in my first year at University and looking back I find I did a good job in performing and doing exams at the same time. Thus getting an A and many more good grades and conjunctionally giving a good performance. That year, the set up of the contest was a bit different because only 8 of the 16 made it to the final round. Still an experience to remember and I believe that I learned a lot and grew a lot as an artist from my first experience.

At this years’ edition of the Eurovision Song Contest, Malta was represented by Gianluca with the track Tomorrow co-written by Dean Muscat and Boris Cezek. Following both the performance of the semi-final and the final, Malta returned to the top ten for the very first time in eight years. The general public had not sought to send Gianluca to represent the nation at the international spectacle, opting to send Kevin Borg and his entry Needing You co-written with Thomas Thörnholm, Michael Clauss, Dan Attlerud and Simon Gribbe. What is your opinion on jury and public voting and do you agree with the current system?

I actually like the current system as it gives chance of expression from both the jury and the public voting. I always believe that a song and it’s singer should be judged by a team of experienced people in the music industry as they should know what is in, at the moment and other technicalities, on the other hand, I also believe that the public should have a say because at the end of the day it’s the same public who is buying and listening to the song and artist itself. 

During this years’ edition of the Malta Eurovision Song Contest, you were accompanied by a number of people on the main stage including Sean Vella on piano, as well as three female backing vocalists; Tezara Camilleri, Annabelle Debono and Yazmin Halledie. All the three have tremendous amount of experience in the industry especially Annabelle who accompanied Morena at the Eurovision Song Contest in 2008, your debut year. Many people think that the choices of the backroom team might be somewhat random but clearly, everything is selected accordingly. How was the onstage team selected and do you see them take to the stage on their own?

I always choose my team really carefully and I do it together with my author and composer, this year I was very lucky and happy with my on stage team. It’s not only that I appreciate their vocal abilities but also their personality. There was never a dull moment this year and I believe it showed that we were enjoying our performances every time we were on stage. And yes I do see them all take to the stage on their own as I believe in them, their voices and personalities... why would I have chosen them huh?!!

Apart from singing, the general public have now got used to seeing you on the television screens as you act out a leading role in the television series Il-Klikka created by V Squared Productions. We had the opportunity to introduce the series through in the beginning of the autumn/winter schedule and describe ourselves as true and avid followers. Your character is an aspiring performer who becomes part of a girl band, one which is set to take the nation by storm, hopefully also succeed abroad. Truthfully, how much do you relate to the actual storyline and on another note, would you actually be interested to become part of a girl band or would you rather be a solo performer?

I’m really enjoying the experience with Il-Klikka as I’m meeting many beautiful and talented people and it’s always great to have the publics’ support as it takes a lot of hard work and time from all the actors and the production team to have a television series to the liking of the audience. I sometimes see resemblance in my character and that of Audrey (played in the series) as I’m always aspiring to hit it big time as a singer. However in some other areas I find that I’m much more spontaneous and talkative rather than the silent and timid Audrey whom I believe I was a bit alike before I became a Spanish teacher... being a teacher makes you talk a lot to explain for the benefit of the students’ themselves. Since I began my singing career at the tender age of 6 years old, I always sang solo only on occasions I sang duets which I enjoyed as well. In life I’ve learned to never say never because no one knows what the future might hold. 

In just a year, you became a lead actress in a television series, a notable performer in the eyes of the public and the brand new recipient of a stage name, something that the local music industry seems to be adopting at a rather astonishing pace. Amongst the most notable stage names in Malta at the moment, there are surely the ones of Kaya (Priscilla Psaila) and Minik (Dominic Cini). You went from Jessica to Jessika and this is something that has also been very much respected by the public. How did you manage to have such a smooth transition in promoting yourself and do you think it was the right time to carry out this process?

I actually think that the new stage name isn’t that different from the real one and that is why I believe the transition was a good one. I also believe it happened at the right time, as together with my producer Paul Powell we were releasing the new single Golden ways not only in Malta but internationally and Muscat sometimes isn’t easily pronounced abroad.

Davinia, second runner-up at this years’ edition of the Malta Eurovision Song Contest with the track Betrayed composed by Elton Zarb and penned by Matt Mercieca has already confirmed through the programme, TVPM that she will be submitting an entry into next years’ edition of the competition and therefore, you can imagine where this question is leading. With the support of the public, having garnered their fourth preference, are you interested in returning to next years’ edition of the Malta Eurovision Song Contest and if so, will you be working with the same mixture of local and foreign songwriters who helped you achieve your best result thus far?

I believe the Malta Eurovision Song Contest is one of the greatest platforms and in these last three years it always improved in all areas and I always liked the experiences I’ve had so far, therefore I might consider to take part again, however I have to make sure I’m competing with a good song as it’s my dream to represent Malta in the Eurovision Contest. I’m always up to working with authors and composers with a good product and I also collaborate therefore I’m hoping to have a good song to return again.

Would you like to say to the readers of

I would like to take this opportunity to thank all the readers that continuously show their support to the Maltese talent. It’s incredible that in this tiny island we’re blessed with so many talents. I believe that through your continuous support, artists like me can reach their dreams as it’s always awesome to have people appreciate what you’re doing.

Source: Official Facebook Page, Emil Calleja Bayliss (Image)

Published in Interviews

In the next couple of weeks, more interviews will be appearing during the week as the editorial team at has been in touch with the committee of the Konkors Kanzunetta Indipendenza securing a talk with all of the twenty-finalists in the established category. Nevertheless, as those plans commence, the original summer series of interviews continues today with none other than Amber, a three time finalist at the Malta Eurovision Song Contest, a backing vocalist for Malta at the Pan-European competition as well as a guest performer with a number of artists, she is one of the fastest rising stars in the local music scene.

At just eighteen years of age, you reached the finals of the Malta Eurovision Song Contest for the very first time with the track Catch 22 composed by Ray Agius to the lyrics of Godwin Sant. Whilst the final result was somewhat dull in comparison to the whole experience, you managed to pick up a signifant tele-vote, faring higher than a number of established performers including; Wayne Micallef, Claudia Faniello and Ally amongst others.  Ultimately, what did it mean to you to succeed in making it through to the final, and when there, how did it feel to be appreciated by the public?

It was a surprise to find myself competing with 2 songs during the malta eurovision considering the fact that this was my first appearance as a eurovsion participant. Making it through to the final was a big achievement for me as I was a new comer to the eurovision at that time. I felt honoured that people had believed in me and in my song.

You have already participated in the Malta Eurovision Song Contest on three occasions, achieving your best result to date in 2012 when the track Answers With Your Eyes composed by Ray Agius and penned by Godwin Sant finished in third place with only points achieved by the mixture of local and foreign juries. You were not far off in 2013 as the song In Control composed by Paul Giodimaina with lyrics by Fleur Balzan finished in fourth place. The genres of both entries were remarkably different from each other yet you performed them with relative ease. Which one of the two do you cite as your favourite and why?

I believe that I cannot compare these 2 entries as they were perferomed in different times during my life and apart from the different genres they also have a different message. Answer with your eyes is all about passion, love and betrayal whilst in control is all about being dominant and independent.As a performer I always study each and every song intensly and try to deliver the message behind the song. Therefore I do not believe that I have any preferences. However I enjoyed performing both songs to the full.

On more than one occasion, you have been the subject of severe criticism, kicking off with the appointment of backing vocalist to This Is The Night performed by Kurt Calleja at the Eurovision Song Contest in 2012 to the release of an article published the official website of the Pan-European competition saying that you were supposedly the winner of the Malta Eurovision Song Contest with the track In Control. It is important to denote that you handles both events in the best possible manner, giving the public a response which was honest and clear but nevertheless, from your own personal perspective, have such issues made you a stronger individual?

I believe that I can learn from each and every experience whether it is a good or a bad experience.  The general public has a right for the truth.  However it might not always be easy when giving an explanation as unfortunately there will still be a minority to prefer to interpret the situation in their own way. Luckily such situations have thought me that “what doesn't kill you makes you stronger”. As a performer I have learnt that these are difficult and challenging situations that I have to come across during my career, from which I always learn and look ahead.

In 2012, following your participation as a backing vocalist during the Eurovision Song Contest, you returned to another astonishing opportunity, and that was to perform with Joseph Calleja, an internationally renowned opera singer whose affiliation to the international showcase was introducing the country during the postcard preceding Glen Vella’s performance of One Life back in 2011. During the summer concert which also featured Ronan Keating and Lucio Dalla, you had the opportunity to sing the song A Thousand Years originally by Christina Perri. Why was that specific track selected and would you have done anything differently or do you believe the setup was just right?

Perfroimng with Joseph Calleja was simply perfect and I would definately leave the same set up if I had to to it all over again. It was a dream come true and I still cannot believe that I was given the opportunity to perform with such a prominant and humble artist. We had chosen the song a thousand years together after we had short listed our options. We had finalised our decision to this song as it had quite a powerful message behind it and it suited both our voices.

In 2010, you entered the Konkors Kanzunetta Indipendenza for the very first time, making it through to the second phase with no less than two songs, out of which one was selected to get through to the final, that entitled Trid Taprezza composed by Ray Agius and penned by Alfred C Sant. This was your second major local festival having also participated in the Malta Hit Song Contest earlier that year with the track Take It Easy written by the same team of songwriters, finishing in fourth place. Nevertheless you managed to improve this time round coming out as a winner after a tight competition, finishing just ahead of Gloriana Arpa Belli. What does the year 2010 stand for in your mind and what is your perception on local competitions?

2010 was a total turning point in my career.  Both festivals have not only given me a boost but they have also given my name a recognition and also gave me a clear picture of what i wanted to establish in my career. Our islands inhibt people with talent. I believe that professional local competition will show case various talents and  not only provide the artists with exposure but also with experience. had the pleasure of being the first to publish the video to the track So Good written and performed by Matt Mercieca (Muxu) but nevertheless, you feature heavily in various parts, predominantly within the chorus. The track, a mixture of pop and r’n’b is somewhat well suited to your vocals as attributed by general comments of readers of our portal as well as comments on viral website, YouTube. What could you tell us about the collaboration and would you consider working together once more, maybe even for the Eurovision Song Contest, following his success with Davinia and her track Betrayed earlier this year?

Working with Muxu is always a fun and remarkable experience. He is a very talented artist with fresh and unique ideas.When working with Muxu I can give my own interpretation to the song and he even considers my own ideas.

During last years’ edition of the Malta Eurovision Song Contest, your third place result was attributed thanks to the support of juries, as the public failed to award you any points unfortunately. We have recently spoken in favour of the professional jury panel for selecting Tomorrow co-written by Boris Cezek and Dean Muscat with vocals by Gianluca to represent Malta at the Eurovision Song Contest, having obtained the nations’ best result since 2005. Do you believe that the public are still entitled to have a say in the final result or do you think that the jury should make the decision?

Although during my last year's participation I did not receive any public votes I still fully agree that the general public together with the jury deserve a say in the final result. After all the winner will be representing the country and its citizens. 

Would you like to say anything to our readers at

I would like to thank the readers for their constant support throughout my career.

Published in Interviews

TV Hemm, the daily television show produced by Where's Everybody is set to unveil the latest music video by Fabrizio Faniello. The renowned male artist has collaborated with Posse Jones on a song bearing the name The Sound of Life is Pop which will be used as a theme song for a television show in Germany. The revelation will be made on Friday, 21st June 2013 on Television Malta, the national broadcaster but nevertheless, the video will then be made available on YouTube and other Social Networks.

Fabrizio Faniello garnered considerable fame when he represented Malta in the 2001 edition of the Eurovision Song Contest with the track Another Summer Night composed by Paul Abela to the lyrics of Georgina Abela finishing in ninth place and achieving maximum marks from the host country, Denmark. In 2006, he won the ticket to represent the country for a second time with the track I Do which he co-wrote with Aldo Spiteri but was rather unsuccessful. In recent years, Fabrizio spoke of his desire to return to the Pan-European event and has participated in the 2011 and 2012 editions of the Malta Eurovision Song Contest finishing in fourth and sixth place respectively. had the pleasure to carry his latest official video for the track The Hardest Thing originally performed by Tose Proeski and co-written by Gary Barlow, lead singer of Take That and current British X Factor judge. Stay tuned for all of the latest news.

Source: CAP Sounds

Tuesday, 20 November 2012 10:15

Malta: More Success for Fabrizio Faniello

The start of the twenty first century had been known to bring about a number of changes in the local music industry but it is worth pointing out that just prior to that, a brand new male vocalist in the form of Fabrizio Faniello was born and from then onwards, it has been a constant fight for success, which in most cases has also been attained. The renowned performer has already managed to represent Malta in the Eurovision Song Contest on two occasions received mixed results with his final participation putting his career in doubt but working through difficulties is part of the game and ultimately, he has returned with new material and with a solid set of fans who will always be around to support his work. His most recent single entitled The Hardest Thing written by Wayne Hector, Elliot Kennedy and Gary Barlow taken off his fifth studio album Surrender is already doing well abroad especially following the video release which was an exclusive.

Considering that Fabrizio Faniello has been to the European showcase at least twice, it seems that he does have an audience which prefers listening to his vocal and in fact, he could be found at number #1 on the chart which is compiled by ahead of acts who did better than him at the event when they competed including none other than Ani Lorak, Lena, Patricia Kaas, Ott Lepland, Alexander Rybak and Hadise amongst others. Nevertheless, it is also worth noting that airplay is vital and hence forth, it seems that Germany have picked up on the track as well because The Hardest Thing by Fabrizio Faniello is currently at number #22 at Radio Contact. The chart which is currently being led by Adele, David Guetta and Rihanna is definitely a huge achievement for the Maltese star who for the most part of his career has been signed to Spectre Media and CAP-Sounds which are affiliated with Universal Music Germany. Should you wish to purchase your copy of the track, visit the iTunes store. The editorial team at would like to wish Fabrizio Faniello the very best of luck with his success and in the meantime, we hope that you stay tuned for more news.

Source: Official Facebook Page

Published in Local Music News
Saturday, 20 October 2012 03:01

Malta: The Quiet Girl with the Big Voice

Across the European continent and even further outside of the borders, it seems that the Maltese Islands have earned a respectable reputation for the sheer amount of vocal talent that tends to feature either annually or every now and then. There has been a progression with regards to the production of the songs that are being written for local artists and therefore, releases are now even earning rave reviews in foreign waters which have led to a number of performances abroad. Nevertheless, there is a lot of hype over the next edition of the Malta Eurovision Song Contest and whilst we have absolutely no clue on whether such young talent is submitting, a feature would definitely do the artist justice nevertheless especially after being a focal point earlier this year. In fact, the quiet girl with the big voice that I have deemed is none other than Ylenia Vella, whom many will remember as to having backed Kurt Calleja up vocally.

Ylenia Vella burst out onto the music scene at a relatively tender age submitting entries for the Malta Junior Eurosong competition and coming extremely close to being the Maltese representative in 2009 actually with her track My One True Passion finishing in second place behind Francesca & Mikaela with their entry Double Trouble which also reached a respectable top ten finish abroad. Despite the fact that Ylenia never managed to triumph and finished in second, third and fourth place, she decided to not let the experience mar her career and therefore, submitted an application to be part of the showcase Don't Stop Me Now which was set to air on Television Malta and hosted by none other than Eileen Montesin and Christine Haber. Following a number of weeks of performances, Ylenia was crowned the winner of the competition, a stepping stone for the young performer and a chance to be recognized by not only the masses but even a host of songwriters on the Maltese Islands. She got the chance to perform with Kurt Calleja in the Malta Eurovision Song Contest as a female backing vocalist but unfortunately, it seems that she was replaced by another voice as Ylenia had described with Amber later on stating that the decision was taken up by the Public Broadcasting Services and that Ylenia had a fantastic voice which will represent Malta in the Eurovision Song Contest in the future. It will be quite interesting to see whether this will happen anytime soon but whatever the decision of Ylenia Vella will be, she will always have the stupendous voice of an angel.


Published in Local Music News

Following the conception of Television, the society has changed by virtue of getting messages through this so called screen which translates images which are either being filmed there and then or having been recorded prior to the actual broadcaster. On the other hand, Malta has become renowned for the drama that is produces on the three main television stations; Television Malta, ONE Television and NET Television respectively. Intriguing as it may sound, the repertoire of actors is somewhat increasing and this is due to the fact that media houses are including people from various sectors in their showcases noting that one of the latest individuals to garner a role is none other than Jessica Muscat, the four time participant at the Malta Eurovision Song Contest, who is currently taking part in the drama Il-Klikka which airs on ONE every Tuesday night at 20:30 CET.

Jessica Muscat first made it onto the local music scene by virtue of the 2004 edition of the Junior Eurosong but then again, she quickly found her form amongst the elite of the older generation making it through to the semi-final of the Malta Song for Europe back in 2008 with the song Tangled composed by Philip Vella and penned by Gerard James Borg during a time in which she was conducting University exams, putting her effort into both areas respectively. Nevertheless, she continued to excel from then onwards, making it to the finals of the Malta Hit Song Contest on ONE Television with Sweet Temptation composed by Philip Vella and penned by Gerard James Borg finishing in the runner-up position. Within the following year, meaning 2009, Jessica released her debut album Home Run compiling all of her competition tracks as well as a couple of new ones into one. The first effort did astonishingly well and showed her as a true lyricist for the very first time being the girl behind the words for I’m a lil’ bit crazy. The year somewhat continued to build up by making it to the semi-finals of the 2009 Malta Song for Europe with two songs; Hey You and Smokescreen and despite ample praise from critics and fans alike, she failed to make it through to the finals.

Nevertheless, it was not really a huge setback for the artist going onto Hollywood for a ten day vocal camp working with the likes of Seth Riggs who was conducting this programme. For those who might not know, Riggs has worked with the likes of Faith Hill, Michael Bolton, Ricky Martin and Kelly Clarkson amongst many others. Graduating from University with a degree in Communications and Hispanic Studies, Jessica continued to work hard to achieve success and indeed, in 2011, she returned to the Malta Eurovision Song Contest with the song Down Down Down which she co-wrote with Philip Vella whilst also making it through to the semi-finals in 2012 with Dance Romance which she also co-wrote with Philip Vella. It seems that summer has been quite busy for Jessica by working on her second solo album alongside her record producer Paul Powell and under the vocal direction of Joshua Alamu who was called upon by the British Broadcasting Corporation to help them out with the scouting for the hit reality show The Voice. The blonde haired artist is no more in existence with Jessica going more for an orange flame sort of feel now as she appears in this new drama series alongside the likes of Tezara Camilleri, who many will remember for performing Defying Gravity in Sfida hosted by Claudette Pace. Stay tuned to for more news in the coming days and weeks.


Published in Local Music News