September 21, 2019

Login to your account

Username *
Password *
Remember Me

Create an account

Fields marked with an asterisk (*) are required.
Name *
Username *
Password *
Verify password *
Email *
Verify email *
Captcha *
Reload Captcha
×

Warning

JUser: :_load: Unable to load user with ID: 200

Deborah C, one of the finalists in this years' edition of the Malta Eurovision Song Contest with the track Love-O-Holic composed by Johan Bejerholm and penned by Gerard James Borg, has just released her entry onto digital store, iTunes. The recording, production and distribution is being taken care off by CAP-Sounds, noting that the songwriter has worked with Fabrizio Faniello in the past, and with Deborah C being the backing vocalist for No Surrender that year, it doesn't come as a surprise really. It has already appeared in the top two hundred (200) on iTunes in the past couple of hours, so people have already started to purchase their copy.

The local performer has come out of nowhere, to lead the music scene in the country following her successful triumph at the Konkors Kanzunetta Indipendenza with the song Jekk Nużaw Moħħna composed by Mark Spiteri Lucas to the lyrics of Joe Chircop. Love-O-Holic was the second entry that Deborah C performed at the Malta Eurovision Song Contest having qualified in 2012 with the song You Make Me Go Uh Uh featuring Leila J but this was the first time she made it into the top ten, by virtue of a ninth place finish. You make purchase your copy of the sound file by visiting iTunes. It will be receiving airplay on several radio station in Europe. Stay tuned to escflashmalta.com for all of the latest news with regards to the local music scene.

Source: CAP-Sounds, iTunes, Emil Calleja Bayliss (Image)

http://www.youtube.com/watch?v=9dApJEVrUMg

Published in Local Music News
Sunday, 03 February 2013 12:10

MESC 2013: An Analysis of the Final Night

The Malta Eurovision has come to an end - a surprising one for the majority of the people for different reasons. The first congratulations has to go directly to PBS who took on board the comments by the public and ensured that the problems that hampered the performances in yesterday’s show where a thing of the past. The show was one of very high quality and for one of the few times, if not the first, that the winner was announced before the strokes of midnight. The show was thoroughly planned and the timing was well scheduled. The audience loved the opening act by DREAMS – the same act opened last year’s showcase and it was heavily criticized but the choice of songs and presentation left the desired effect as it was done professionally without any glitches whatsoever.

The presenters once again kept things light and although some might have criticized Gordon Bonello for his light hearted rhymes they were seen as cute and in most cases they were cleverly funny. Once again, it was up to Elaine Saliba to carry the heavy weight for tonight’s job and for the second consecutive night she did a job well done. The short interviews before each act were nicely planned and fitted the show whole heartily – although some singers could have done with better questions. The interval was possibly the best ever we have had in a long time. Gorg & Pawlu started off proceedings with their hit Hot & Famous, the Swiss representatives, Heilsarmee followed with their Eurovision entry and Kurt Calleja closed off proceedings with a medley of popular hits where he included some songs from his repertoire.

The results started off with the public opinion which saw Kevin Borg winning the full points from there, followed by Gianluca Bezzina who was clearly the second favourite behind Kevin – something which was also evident in the hall. Chris Grech followed in third place and his applause in the hall clearly indicated beforehand that he will do well with the public. From the comments on the web and the comments in the hall, these three names were seen as the main contenders for victory. Davinia Pace was surely the surprise of the evening as she finished in a distant third place collecting a number of high points from the jury which propelled the new comer to the competition up to a second runner-up finish after a very powerful performance filled with energy and dominance throughout.

http://www.youtube.com/watch?v=K5WFikKd8A8

The jury votes were very close to the public in terms of their votes in general; the only difference which proved to be a pivotal one in terms of the results was that the outright favourite with the jury was Gianluca who garnered the full points from all the jury with the exception of one judge who put him in second place. These were enough though to put him ahead of the rest of the pack with Kevin finishing a relatively close second but in May it will be Gianluca who will be flying the Maltese flag for Malta. The song was never the outright favourite but throughout the week it garnered popularity and was clearly seen as the entry that can cause the upset on the night. This became more evident during the semi-final night and things just got brighter for Gianluca from then on. 

The win was somewhat reminiscent of Thea Garrett’s win back in 2010 as this was Gianluca’s first time ever in the local competition. He is well known for being the front man of the band Funk Initiative and he has also performed with the choir Voices. Gianluca will become the third straight male singer to represent the country which is another first for our nation as past winners were dominated by females. One of Gianluca’s backing vocalists has already had a taste of Eurovision, as exactly ten years ago she was part of the winning team with Lynn Chircop’s ‘To Dream Again’ – perhaps someone should book her as their backing singer for 2023, you never know it might work. Gianluca’s entry ‘Tomorrow’ is receiving good feedback from abroad and his charisma will see him through this meaningful experience. 

http://www.youtube.com/watch?v=XdCVLuz-dLo

Tomorrow has the feel good factor, so good that you get instantly hooked to its rhythm and find yourself humming along even thought you might not know the exact words. The entry can also be described as fresh with a positive outlook. The simple lyrics and the simple musical structure give the entry a great feel whilst Gianluca performs as he is narrating a dialogue and the whole act looks like it has been set up to perfection. Dean Muscat and Boris Cezek, the songwriters were the most successful team in this year's Malta Eurovision with three entries in the final and although they are new to the Eurovision scene they have experienced plenty of success on the local airwaves.The team from here onwards will start their hard work in order to ensure that Gianluca gets the best possible coverage in Europe and also by having a great performance in Malmo, Sweden. Hard work pays off and being a doctor by profession he knows that if he works hard things will eventually come as you shouldn’t leave things you have to do today for ‘Tomorrow’.

Source: Emil Calleja Bayliss (image)

Published in Editorials
Saturday, 02 February 2013 17:30

Malta Eurovision 2013: The Final - LIVE

For the past twenty-five years, Malta has selected entries which have achieved various results, including close first runner-ups in 2002 and 2005 respectively, but nevertheless, in a minority when it comes to the non-winners' circle alongside nations such as Iceland, Cyprus, Albania, Poland, Romania, Slovakia, Portugal, Moldova and Belarus amongst others. This time round, our nation will be sending the twenty-sixth representative from a field of sixteen (16) entries which were shortlisted from an earlier list of twenty-four (24) as performed during the semi-final last night. The chosen act will hopefully follow in the footsteps of Kurt Calleja who qualified for the final with his track This Is The Night last year. The Malta Eurovision Song Contest has become something of a tradition in the past couple of years and despite the technical issues yesterday, one will be hoping for a much smoother transmission this evening!

This years' edition of the Malta Eurovision Song Contest is being broadcast through TVM, TVM 2 with special commentary by Norman Vella and Rodney Gauci, Radju Malta with commentary by Frederick Zammit and also through the official website of the Eurovision Song Contest. The hosts for the evening will be Elaine Saliba and Gordon Bonello whose roles will surely be larger this evening considering that they will be interviewing each of the sixteen (16) acts that made it through to the final. Rodney Gauci will also be doing a number of backstage interviews during the show in order to give the audience, a behind the scenes element. A number of special guests will be taking to the stage this evening including; Gorġ u Pawlu with the song Hot & Famous, the Swiss representatives; Heilsarmee who will be singing their entry You and Me, Kurt Calleja who is set to do a medley of original and cover songs and last but not least, the cast of D.R.E.A.M.S who will be opening the show with a medley of original songs in Maltese.

All right, the show is ON! The cast of DREAMS have taken to the stage... but those watching the commented version have been taken to the side to listen Norman and Rodney, blabbing. If “Majestuz, kbir” are the sort of comments we’ll be having, then I rather doubt many will be watching it on TVM2. OK, Norman, you’ve already cracked this joke. No need to keep telling us about Anton making you comment in exchange of a 2 free tickets. Will this commented version really be a side-watch of these two blabbing away? We’re missing out on the whole show. Please! 


It seems to have hit them, finally. We’re now watching the DREAMS cast giving what I can call a splendid performance. It’s cool to have this sort of Medley in a fun manner. Thumbs up to DREAMS - great opening! 

I can’t, for the life of me, follow this commented version. I wouldn’t mind skipping half the show if these two were really good at it. But they are wooden. The comments are, well, non-existent and they really look tacky with people just popping by to say something. Off to TVM, as it’s the show I’m interested in, anyway.  

Gordon and Elaine seem set to give a better show tonight. No, I have to take that one back... it’s too rehearsed. Elaine replies to the jokes before they are even completely spoken. It’s also looking a tad too wooden. And what do you do when you’re stuck? Well, you ask Carlo Borg Bonaci to save you, of course. Actually, this gets me thinking. Why couldn’t he have been the host? He’s great personality, really. Just a couple of lines and the ice has now been totally broken.  

Running Order

01. Superstar - Scar (Konrad Pule)

Scar gave a good show; the whole performance is convincing, with very strong stage presence. The leading singer is enjoyable and there’s utmost harmony in the group. In Calvin Klein laid-back looks, this cool pop-rock act is a twist you simply need to have in such a final. There’s nothing too fancy - and that’s surely a plus. Having said that, upon listening to the song more than once, you realise there’s very little to it. The structure and the idea work well, but you get the feeling there is something missing. I like it, yet it would have to undergo some serious arrangements in order to be deemed strong. As it is, it’s too much of a hey-it’s-good-but-nothing-major.  

02. Starting from the End - Dorothy Bezzina (Magnus Kaxe / Gerard James Borg)

One cannot overlook the great chorus of this song, it accompany’s Dorothy beautifully: it simply puts the song on an altogether higher level. Today’s performance, if possible, seems even stronger! You simply have got to love how Dorothy seems to play with the vocals with such ease; something to be truly appreciated in such contests. You can really feel the energy coming your way with the melody. Yet, though it was to be expected that the song would go through to the final, I think it will be hard for Dorothy to be Malta’s envoy: this is surely not the singer’s fault, but merely the song’s. It seems to me it lacks that little something which makes you say “that’s it!”  

03. My Stranger Love - Corazon (Paul Giordimaina / Fleur Balzan)

 

You can tell Corazon is doing her best to deliver. She has a good command of the voice; she knows how to work with it. It literally sounds like something coming out Disney! And yet, could anyone tell me what the song is really saying? I cannot quite put my finger on it: yes, there are many flowery words and all, but you can’t impress with that, can you? Also, the dress just didn’t work here. In fact, it looks so much better while she sits at the piano (rather Alicia Keys kind of thing if you ask me). Unfortunately, though I don’t mind it all that much, the history of the Eurovision works against this act: hardly do you see such songs doing well. All in all, I quite doubt she’ll be a high-flyer tonight. 

04. Ultraviolet - Jessika (Thomas G:Son / Philip Vella / Gerars James Borg)

Jessica simply loves the Eurovision - this is the first thing you notice once she takes to the stage (that and her hair look, very edgy, actually!) The singer oozes energy from all her pores. I like the singer more than I like her song, which doesn’t really tickle my fancy. Unfortunately, I don’t think this particular song does her justice; it comes across as if she’s straining her voice, though at some instances it strangely becomes really appealing and convincing. Possibly that’s the swedish element by G:Son...which could ultimately do well in Sweden this year. The song needs to be re-touched and enhanced in many aspects. As it is, I believe the song won’t place among the top ones. I must concede, though, that today’s performance was so exceedingly better than yesterday’s! 

05. Us Against the World - Gianni (Boris Cezek & Dean Muscat)

 

Gianni’s vocal range is limited, so you can easily notice he struggles with certain notes. However, this doesn’t really make you dislike the song. Actually, the very chilled feel that comes off that stage when Gianni and his band are at it is somehow pleasing. I think it evokes a something-Indie-like feel, which is rather nice on the ear. The only thing is that when you listen to the song per se you would imagine someone younger singing it. Though it’s generally good, I think it wouldn’t perform well in Sweden.  

06. Betrayed - Davinia (Elton Zarb / Muxu)

 

If you wouldn’t be looking at the TV, then you would just have to do it once Davinia starts singing. She has a peculiarly sultry voice, which really breaks the routine. I think that in reality, more than to the song itself, people listen to the daunting voice. I'm in a bit of a predicament, I think that on the whole I’m rather happy with the diversity this song has to offer. It’s very cool and in, and you can’t dispute that. The song will have to be enhanced and given a stronger feel to it. It really wouldn’t displease me if this act flies to the top.  

07. Needing You - Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

 

Kevin is a strong singer. His winning the Swedish Pop Idol sort of proves that. It is exactly because you’d have high expectations that you would be looking forward to a really strong song. This is a hooking ballad, but I would say it has a bit of an old feel to it. The whole show was a good one; the voice, the lyrics, the melody. I can’t quite understand the purpose of having that model/dancer coming out at the last bit of the show, though... that’s surely an unnecessary element. I tried making myself like the song more, especially because I believe tonight's was much stronger and it stands a very good chance of making it to Sweden (at least if all that clapping and people standing is anything to go by), but I just cannot fall in love with it. Oh well.  

08. Fall Like Rome - Richard Edwards (Magnus Kaxe / Philip Vella / Gerard James Borg)

I really believe Richard has a beautiful voice; and his immaculate diction just renders his singing even more hooking. The looks are good - laid-back, yet stylish. That’s exactly what this sort of song asks for. I have my reservations when it comes to the song per se. I was expecting Richard to present us with something better and altogether stronger. The lyrics are too loaded, and I feel sort of confused in trying to grasp what it’s saying. The melody is very good and his falsetto skills are rather good (though yesterday they seemed more evident). Today's performance was dirtier than yesterday, also. But Richard is one of those who could have the so-called ‘package’ - but that will demand some thorough work on the arrangements.  

09. Perfect Day - Janice DeBattista (Boris Cezek & Dean Muscat)

Janice has a pleasing voice, but I can’t really get through to the song. I don’t like what she’s done with the attire and all... it almost looks dull. I think that such a young singer could play more with it. As for the song, it just doesn’t do it for me. I’m bored all through. Most of the others are head and shoulders above this one. I think it would get lost in the crowd were to be Malta’s envoy. It’s something you listen to just one - if at all. 

10. Love-O-Holic - Deborah C (Johan Bejerholm / Gerard James Borg)

This is the typical cliché you would be happy to have missed, then it pops up on TV and it knocks you down. There’s really nothing much I have to say about this one. I’m just surprised to find it in the final. I think that the semis were already too much of a present. When the song starts you think it’s so bad that it just has to get better. Alas, it really doesn’t. I concede that Deborah looks very natural on stage, but that’s not enough. Having said that, I believe this song is one of those you can either love or hate. I belong to the latter group. 

11. When It's Time - Claudia Faniello (Errol Sammut / Claudia Faniello)

 

Claudia is one of the few singers who gets better as an artist with each passing year. I don’t like the outfit much; I can’t seem to place it. I like the song and the music. Her rock-like voice blends in very well. The chorus is also a catchy factor in this one. All in all, it’s a song you want to listen to, and today’s performance was more powerful! However, I believe it needed some more work in reality. She should do well, yet it’s not this year’s winning song. It lacks that final convincing element. 

12. Tomorrow - Gianluca Bezzina (Boris Cezek & Dean Muscat)

Gianluca’s personality is as infectious as is his song: I honestly believe it has all the prerequisites. And I'm even more convinced after today's performance! The song has good lyrics and melody, and the vocal range of the singer perfectly accompanies the whole act. In reality, there is nothing really ground-breaking with the song, but with everything seemingly falling into place, you just get to like it and, well, you have to sing along. Some have said it’s not very Eurovision-friendly, but I wholly disagree with that. I think it could stand out in the crowd were it to make it. Come on, Gianluca, win! (And take Dorothy with you, for the backing! Yes!) 

13. Never Walk Away - Chris Grech (Grech / P Borg / M Borg / D Cassar Torreggiani)

I understand the hype surrounding this song/singer. He has great vocal skills in reality. The husky voice gives a nice feel to the song. The laid-back look is also welcome. If I have to come clean, however, I would say that the song lacks a proper climax. I listened to it all because what he does with the voice is really good. I think that with a good arrangement, this pop-rock one could easily become a radio hit. It definitely stands a good chance tonight, and it’s indeed one of my faves.  

14. Wonderful Today - Petra & Richard (Wayne Micallef / Richard Micallef)

I like Richard. I like Petra. But I don’t like them together here. I think Petra’s solo should’ve made it instead of this one. It was definitely stronger. The voices don’t seem to blend well together. Petra seemed overpowering to me. I am not too keen on the chorus, either. I was never too fond of duets, as it takes a special something for it to work as expected. Sadly, I didn’t see that tonight. 

15. In Control - Amber (Paul Giordimaina / Fleur Balzan)

Amber has great stage presence; she seems really comfortable up there. Unfortunately, I don’t think the attire has helped her much; nor did that of the backing vocalists’. It seems to me there was too much going on. She is usually the sort of singer you wouldn’t forget.  Well, after tonight, we’ll remember her for sounding a tad too sharp (not really in control) - better than yesterday, granted, but still not 100%. In any case, I don’t think this particular song breaks much ground. It has a good flow to it, yes, but that won’t work enough wonders.  

16. Too Little Too Late - Domenique (Marc Paelinck / Matthias Strasser)

I feel there’s hardly anything appealing about this act. The singer looks much older than she is. I can’t understand why they would make her go for such heavy makeup, jewellery and hair-do - she’s a pretty girl, and that’s evident. Overdoing was counterproductive.  The song just doesn’t convince me: it’s too much of a sombre ballad and she seems to find it difficult to change register. At times she was completely off. Again, there were much better songs that could’ve been here instead of this one. 
 

The Show (Part 2)

So the 16 acts are now over. Everything ran smoothly tonight, so the singers seem very pleased. In fact, after a recap to refreshen the audience’s memory, we are now being taken on a tour among the participants. And of course, we have a comfy, laid-back chit-chat with all of them. 
 

Time’s up! Tele-voting has now been closed. We’re taken back for some more small chat with the 16 contestants who, with each passing minute, look more and more anxious. In reality, this is the moment I dread the most. You get bombarded with loads of adverts, which ultimately just tire you out and make you contemplate whether you should just change channel or not. 

Seems like Petra and Richard’s wasn’t the only duet for the night. Gorg and Pawlu have now joined Elaine on stage and they seem to be prepared to perform their long-awaited Hot and Famous. All right, it’s just a rip-off of Gangnam Style and Slamdog Millionnaire. Mediocre, really. Some music playing, a lot of people dancing in the background and Rodney and Gordon disguised as Gorg and Pawlu. I may be very difficult to please, but whoever thought this would be fun was incredibly mistaken..so it’s really bad when Elaine asks for a “capcipa kbira”!  

OK, taking the stage now are the act representing Switzerland in this year’s Eurovision. I believe that if we make the right choice, we could actually do better than them.  Following is Kurt Calleja ...and he seems to have decided to go for a big performance. Well, albeit not impeccable (OK, you're right, it's a showcase of how-to-be-off), it has at least helped shake off the dullness that was about the engulf this second part of the night. 

Funnily enough, though we are still awaiting the results, it is being rumoured on another website that Amber is the winner. The website has since removed the page and it stated it was a technical error. Well, we'll soon discover that - the judges are now announcing their votes! 

Gianluca Bezzina is now leading the show, for the judges seem to have chosen him over Kevin Borg (who won the public vote). And it is with Carlo Borg Bonaci that we've had the confirmation - 


I cannot be any happier in announcing that GIANLUCA BEZZINA is the winner! Tomorrow will be representing Malta in Sweden! The audience doesn't seem all that happy, as the clapping has gone missing after Kevin Borg was confirmed first runner-up. 


Finally, 
One cannot not give credit to PBS when this is due. Tonight’s show ran smoothly - the sound, too, worked well. It’s good to see they have worked hard to make sure there wouldn’t be any snags today (unlike yesterday’s!) But that is where the praise starts and ends.  

 

What about the ‘jokes’? Don’t you think they were just as tacky? I saw no wit and no fun there. Of course, they couldn’t possibly harp on about politics: their bee in the bonnet must have been given some fresh air. (To which we all said “yaaayyy”, right?) Then we had: “liii tenk god ma libsitiex Carina” - Seriously, Gordon? Did you actually think that was a sharp one? No, throwing a jibe at Carina here and there just didn’t save the day. Nor did those crappy poems. Who comes up with these ‘brilliant’ ideas? 

 

I also think Elaine Saliba, despite being an adorable girl, just isn’t cut for this kind of thing. I still believe that Valerie Vella should host this show. She is polite, elegant and knows how to be pungent, without ever crossing the line. 

 

However, tonight we had an extra. We had the commented version on TVM2. I had to go back and forth to check what great work they were doing on the other side... and well, each time I was let down. You simply have to ask it: why, exactly, would they have a commented version without having decent commentators? Norman Vella may have been blessed with many things, but pungent remarks aren’t among that list.  

Saturday, 02 February 2013 10:25

MESC 2013: Entry to be Selected This Evening

The Public Broadcasting Services is a member of the European Broadcasting Union and thus entitled to participate in the annual Eurovision Song Contest, something which has become somewhat of a tradition in the country which will be picking the twenty-sixth entry this evening from what has been described as the strongest field in years. Last night, in the semi-final, eight entries had to be eliminated due to the stipulation of the regulations and as published in an earlier analysis, there were quite a couple of surprises. This morning, all of the sixteen (16) qualifiers take to the stage to perform their entries in the final running order prior to the actual show.

According to our latest information, directly from the hall thanks to Emil Calleja Bayliss it seems that this evening, the hosts being Elaine Saliba and Gordon Bonello will be interviewing each respective artist prior to the performance followed by an advert until the track starts. The producers have also worked on the running order for the show having drawn the opening and closing tracks in a post semi-final press conference last night. The rehearsal started a little bit later than planned but nevertheless, it seems that despite the fact that the artists were awake not too long ago, they are well paced for this evenings' showcase and are ready to give their best with the hope of becoming the twenty-sixth representatives of the nation, and thus following in the footsteps of Kurt Calleja whose This Is The Night managed to qualify in Baku, Azerbaijan.

Running Order

01. Superstar - Scar (Konrad Pule)

02. Starting from the End - Dorothy Bezzina (Magnus Kaxe / Gerard James Borg)

03. My Stranger Love - Corazon (Paul Giordimaina / Fleur Balzan)

04. Ultraviolet - Jessika (Thomas G:Son / Philip Vella / Gerars James Borg)

05. Us Against the World - Gianni (Boris Cezek & Dean Muscat)

06. Betrayed - Davinia (Elton Zarb / Muxu)

07. Needing You - Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

08. Fall Like Rome - Richard Edwards (Magnus Kaxe / Philip Vella / Gerard James Borg)

09. Perfect Day - Janice DeBattista (Boris Cezek & Dean Muscat)

10. Love-O-Holic - Deborah C (Johan Bejerholm / Gerard James Borg)

11. When It's Time - Claudia Faniello (Errol Sammut / Claudia Faniello)

12. Tomorrow - Gianluca (Boris Cezek & Dean Muscat)

13. Never Walk Away - Chris Grech (Grech / P Borg / M Borg / D Cassar Torreggiani)

14. Wonderful Today - Petra & Richard (Wayne Micallef / Richard Micallef)

15. In Control - Amber (Paul Giordimaina / Fleur Balzan)

16. Too Little Too Late - Domenique (Marc Paelinck / Matthias Strasser)

Another year passed and another semi-final took place with loads of surprises in store for all those following the show in Malta. Everyone had been expecting a top notch show on the night having some of the best technical crew the local contest has ever seen and with twenty-four entries regarded as some of the best songs Malta has ever had in a selection you would have thought that things were too good to be true but up until the final rehearsal everything ran smoothly. 

  

Kurt was this year’s opening act and although we barely got to see him on stage as there was a clip showing his adventure that led to Baku, it was done and presented well, with Kurt closing the last part of the song on stage with the audience clapping along.The preview cards before each song were done intelligently and it subtly promoted the programmes on TVM – something which proved to be quite a hit with the audience and the viewers at home. They were totally different to what we see each year and this was one of the highlights of the show.

The problems apparently started from the beginning of the show as a number of viewers contacted escflashmalta.com to say that both the presenters and also the songs were experiencing problems in regards to the sound and the picture on screen. This thankfully got better as the show went on but the first few songs were the ones that suffered the most.  Anton Attard, the Chied Execitive Officer of the Public Broadcasting Services and the man behind the festival started the press conference just after the show by remarking that the issue was addressed and solved after the first few songs.

http://www.youtube.com/watch?v=xrTwwu4e6Cc

Another thing that put people off, both the ones in the audience and the ones at home was the actual length of the show which at some points it seemed a little bit outstretched. Many remarked that there were far too many breaks whilst the foreigners were shocked that in order for Malta to eliminate eight songs they have to hold a never ending semi-final. The fact that the show was hampered by technical glitches didn’t help matters as the viewers’ frustration increased.

Thankfully the presenters kept the show light and made their best to entertain the audience and the viewers at home – this was surely a daunting task considering that the show ran for around four hours. The fact that there is an election round the corner made it easy to have light hearted jokes throughout. Comedians Gordon Bonello and Rodney Gauci proved to be a hit whilst Elaine Saliba carried the show with her charm. She looked more at ease than last year and she proved to be quite the expert as Gordon remarked - even their outfits proved to be a hit and they didn’t cause the stir they did last year.

http://www.youtube.com/watch?v=HOgPdTFt_3s

The interval acts included the Maltese representatives at the 1994 Eurovision Chris & Moira and Alex Alden were good and if the show was not that long, a lot of people would have enjoyed their performances more. By the end of the show, just before the results were announced everyone was eager on heading home. The music before the results did create tension but a lot of people thought it was far too long as they should have gotten over and done with it.

The results themselves proved to be surprising with some songs which weren’t really expected to make it qualified whilst others who had received quite positive acclaim before failed to make the cut on the night. One can note that the dance tracks were all left out and mostly the jury went for mid-tempo songs alongside with a number of ballads. The biggest shocker of the night was Klinsmann who despite presenting one of the best songs he ever presented and giving a strong performance he still failed to make the cut – many saw him as a definite qualifier and a contender for the top of the leader board. 

http://www.youtube.com/watch?v=o-y2UBkw4TU

Other singers like Petra and Franklin gave the performances of their life but they were simple not good enough for the jury tonight. Ylenia, Melanie and Raquela performed well too but their dance tracks would have surely been compared to last year’s winner so the jury thought this was not the way to go. Danica was spot on, when vocals were concerned but the song seemed to lack that magic spark whilst Marilena and her track Overrated didn’t cause a stir and the whole act looked somewhat dismal in comparison to the rest.

Well, like any other contest, the semi-final proved to be eventful with plenty of surprises and unfortunately a number of negative aspects – although one can be rest assured that the Public Broadcasting Services are doing their best to ensure that tomorrow’s final will be extremely good – their aim is one – giving Malta and the Maltese the best final ever. Let’s just take today’s performance as a dress rehearsal and hope that just like any other production when the dress rehearsal is weak, the final productions proves to be  a huge success. Until tonight…

Source: escflashmalta.com

http://www.youtube.com/watch?v=VBrNJIa9FjA

Published in Editorials
Friday, 01 February 2013 18:30

Malta Eurovision 2013: The Semi-Final - LIVE

Xarabank is the programme which normally airs on a Friday evening but nevertheless, since the introduction of the semi-final system during the Malta Eurovision Song Contest, changes have been made to the overall broadcasting schedule. As a matter of fact, this is that evening and many that are anticipating a superb show shouldn't be disappointed because production values are through the roof. The Public Broadcasting Services has invested a lot of time into this venture and indeed, the results are showing at an international level, considering the almost qualification of Glen Vella with the song One Life in 2011 and the qualification of Kurt Calleja with his entry This Is The Night in 2012. Successful transitions have been made and the aim of the evening is to downsize and make sure that the public and the jury listen to the suitable sixteen (16) entries.

The evening will be hosted by Elaine Saliba and Gordon Bonello whilst Rodney Gauci will be taking on the role of backstage host whilst also doing the commentary with Norman Vella on TVM 2, for those who might not be that inclined within the forum of the competition itself. The official website of the Eurovision Song Contest will not be broadcasting the showcase this evening although showing the final tomorrow night. However, the foreign viewers should not fret because a live stream is being offered on the official website of the Public Broadcasting Services. Twenty-four (24) entries will be competing and eight (8) will have to be eliminated, despite the stunning talent that graces this years' competition. The judges coming from Albania, Armenia, Belarus, Croatia, Ukraine, Italy and Malta will have a tough decision to make whilst the public vote will count as one of the judges'.

1, 2, 3... Go! 

 

A collage of clips of last year’s winner, Kurt Calleja and his This is the night lead us to tonight’s show... And you get to think: really? Did we really do that?

And he’s now on stage; it looks impressive, indeed. The stage, not Kurt's performance, mind you. 

 

Elaine Saliba and Gordon Bonello appear on stage... and there seems to be an ugly problem with the sound. We can hardly understand what they are saying. Yay, brilliant start! 

And there is goes... we had to have a jibe at last year’s glove!

Everybody is sporting a Vileda glove. Not really funny, is it? Let’s not stretch it, please. It becomes lame. 

The judges are now introduced, with Maria Muscat and Carlo Borg Bonaci being the Maltese ones on the panel. 
 Off we go... not without a fair share of ads, of course.  

01. Fall Like Rome – Richard Edwards (Kaxe / Philip Vella / Gerard J Borg)

When Richard utters a couple of words you can’t but say “Yay, yay! He can pronounce them words properly!” He looks rather stylish and laid-back, with the unnecessary frills (which are usually predominant in this show). His captivating voice keeps you hooked all through. Yet, the song leaves a lot to be desired. It doesn’t quite do it, really. Too many metaphors and nuances there, so you can hardly follow.  He did give a nice performance, however, much more was expected of him. 

02. Tides of Illusion – Ylenia (Jason Cassar / Mario Farrugia)

Is it my impression or is she a bit off? Something isn’t working there. Also, the choreography seems a bit messed up: the dancers are sloppy and seemingly out of synch. On the whole, it was a rather boring show. The song is forgotten as soon as it finishes - unlike her dress; that we will surely remember. It hits you in the eye. 

03. Perfect Day – Janice DeBattista (Boris Cezek / Dean Muscat)

Janica has a nice voice, almost soothing. Yet, this isn’t really evident in the performance she is giving today. I don’t like the dress much, I think she could have done more with the attire; it looks way too sombre.
 

04. Never Walk Away – Chris Grech (M Borg / P Borg / D Cassar Torreggianni / C Grech)

So there was a lot of hype surrounding this song. Let's see. All right, he’s a very good voice. I’ll grant that. They are having very serious problems: it is not even synced. We are getting a very crappy version of the song. From the bits and pieces we could get at home, it is very evident that the song is one of the best ones thus far. Yet, it does lack a certain climax I believe - though that could easily be fixed. Indeed a good one here!


05. Overrated – Marilena (Philip Vella / Gerard J Borg)

Marilena comes on stage and your eyes start bleeding. Your eyes urge you to chop them off. What can I say? This is the typical song you have to have at such competitions. You will just get it out of your system once it’s over. The show is crap - the dancers/backing are more of a distraction - they surely don’t help the act. Yes, Marilena, totally Overrated. (Again, it was not even synced.)


06. No One’s Home – Petra (Wayne Micallef / Richard Micallef)

So do we have a vintage blues chic here? Well, if we do, she’s vocally stable and the voice is indeed remarkable. I would dare say that, vocally speaking, she’s been the best one so far. The whole act is, to be honest.  Petra has good stage presence (well, apart from her channelling Katy Perry a bit too much) and makes you follow her all through. A strong contestant - it would be a pity not to see her through. 


07. Starting from the End – Dorothy Bezzina (Kaxe / Gerard J Borg)

Dorothy’s impeccable mastery of vocals is impressive. The backing really makes the voice reverberate and blends really well. The acoustics are not doing her voice any justice; it sounds too tinny. Yet, the song is a strong one and, needless to say, makes you listen to it attentively. The whole act was a good one... even though her cheesy hand/arm moves could have been spared. Dorothy should definitely make it.


08. Too Little Too Late – Domenique (M Paelnick / M Strasser)

Domenique looks like a wrapped present in that dress and she’s looking twice her age. Jewellery, hair-do and makeup have totally overpowered her. She’s a really pretty girl, but the whole thing totally ruined that. The voice is nice one, but the song is weak. 


09. Ultraviolet – Jessika (T G:Son / Philip Vella / Gerard J Borg)

At first I somehow liked the looks. But then, the whole thing looked as if they’re two different things stuck together (OK, they are ultraviolet, but still...). I must say I don’t particularly fancy the song. Jessica strives to give a great performance, however it does come across as if she is straining her voice. All in all, she tries too hard and it shows. She'd have a better chance if she were to tone it all down and opt for softer and more mellow vocals. 


10. Let Your Heart Talk – Franklin (Ray Agius / Alfred C Sant)

If there’s something you can’t criticise about Franklin is that he is always impeccably dressed, wherever you see him. Yet, he didn’t really convince me here. He has a marvellous voice which hooks you and make you listen to each work attentively. He is having some tiny problems with the base notes; they need to be supported a little better. And perhaps a little more work on the breathing.. but then you say: “who cares?” That ending was superb!


11. When It’s Time – Claudia Faniello (Errol Sammut / C Faniello)

Where’s Carina when you need her? Claudia’s dress was fabulous last year... this year it just won’t do. That outfit looks, well, out of place. She should totally have gone for more of an Annouk sort of look. Which is an absolute pity! She is also wearing too much makeup. The song is beautiful, with gorgeous music. Claudia is actually one the very few singers who seem to improve with each passing years... This song is great for her kind of voice. She seems to have found her genre and range!


12. My Stranger Love – Corazon (Paul Giordimaina / Fleur Balzan)

Corazon looks like the innocent girl you would want to do well. Then you think that she writes her own songs and you say that’s a good bonus. She sits there, and she sort of reminds you of Alicia Keys: sleek, pony tail, long dress, chunky earrings. And then she stands up, and you see that dress. No, it really wasn’t the best option; yet one could say it’s something a bit different. The song would need some more syncopation. I think it would go well with a bit of a blues feel to shake off that classical Eurovision-sort-of-ballad and make it a tad more original. 


13. Needing You – Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

They say Kevin is going to sing and most of the audience goes clapping and shouting - positive sign he needn’t worry much? Well, they surely weren’t clapping for that hairstyle. There is harmony on stage; the backing and Kevin are doing a great job. Yet, the song is not as strong. It’s very pop-band-goes-mushy-in-a-Christmas-special. And what’s with the dancer that joins him on stage? Isn’t she more irrelevant than Franco Debono? (to keep the comedians’ joke going, you know...) Nothing special, really. 


14. Superstar – Scar (Konrad Pule)

I always like Scar, really. I think they break the routine kind of thing. They always come up with a good song and structure; the presentation is simple - as should be. The leading singer is very laid-back, as the song demands. It’s a rhythmic song you need to have. Less is truly more in this case. 


15. Loverdose – Melanie Zammit (N Lundin, M Lundin, Gerard J Borg)

As much as stage presence is important, it is ultimately a song contest. I wouldn’t want to sound too harsh, but Melanie came off as one who hardly has any vocal ability. A pretty face, cool attire, fancy dancing and psychedelic projections in the background just won't cut it. No. The song left much to be desired, which is a pity as was expecting a great performance by melanie. 


16. Fantasy – Danica Muscat (Paul Abela / Joe J Farrugia)

That hair made her look much older than she actually is; but the rest seems to work really well together. Th performance was a good one. She has a good voice and masters it well; though it needs refining. The whole act was positive... BUT, why did you have to ruin it with that “tenkkjuwww” at the end, Danica? 


17. Wonderful Today – Petra & Richard (Wayne Micallef / Richard Micallef)

What’s happened to Petra? The leather skinny trousers don’t do her justice, do they? Also, the duet didn’t work out the way they must have thought it would work. Her voice is literally too domineering: she also comes off as hey-I’m-super-confident-ok?. When they sing together, their voices clash - she sounds flat and he becomes sharp. I surely preferred their individual songs. A poor act. 


18. Love-O-Holic – Deborah C (Bejerholm / Gerard J Borg)

She shrills and belts from the throat, her diction is pitiable and her moves leave much to be desired. The song was so boring and repetitive that I found myself wondering about how they would cope if her extensions were to catch fire.


19. Us Against the World – Gianni (Boris Cezek / Dean Muscat)

Gianni is cool and it’s a pleasure to have on stage, yet he has a weak vocal range. in fact he suffers with some notes. On the whole, the song various on the fun-decent song to sing along. It’s not boring, though it does get rather repetitive. Other than that, the stage presence is good and the whole act made sense together. Not a strong one, though. 


20. Keep Believing – Raquela (Raquela)

Quite a pleasantly different style for Raquela. However, it does get boring at some point, and then, all of a sudden it finishes and it leaves you expecting more to come. The song definitely needs more working. Also, the dress, too reminiscent of a disco ball gone wrong on her, isn’t working all that much here. 


21. Tomorrow – Gianluca Bezzina (Boris Cezek / Dean Muscat)

Gianluca's smile is infectious, as is his song. It's a cheeky sing along song without that typical Eurovision stamp to it. The stage setup is simple, as is his outfit which match the easy breezy mood of the song brilliantly. Having said that, I can't help but feel that the beginning, as well as the bass line and harmony resemble train's 'Hey Soul Sister' a tad too much. 

22. In Control – Amber (Paul Giordimaina / Fleur Balzan)

Amber is coming across as too nasal. Her singing is good, but that high note sort of hurt the ear. It was a rather good act on the whole, pleasant to follow. I found nothing special in it that will make me think of the song afterwards. Also, the attire wasn’t really the best they could go for. Her dress did not really and truly suit her, and the the backing vocalists’s dresses being didn’t fully complement the idea there. 


23. The Remedy – Klinsmann (Kaxe / Philip Vella / Gerard J Borg)

Kinsman seems to be another artist who strives to improve every year; it shows that he's growing and maturing. Then again, as always, he's a little too 'Busted', yet the song is decent. The tune is Catchy yet nothing to write home about. "Woow woow" seems to be his motto, he always finds a way to sneak it into his songs, year after year. All in all, though, a decent performance. 

24. Betrayed – Davinia (E Zarb / Muxu)

I have this ambivalent feeling about Davinia. I think the dress could have been better, as this one had a bit of a tacky feel to it. She has a surprisingly appealing and sultry voice. I admit I liked the whole act. It was good all through I believe. She should make it through as I think it is a strong one. 


 

The Show (Part 2)

 

Now that we are done listening to the songs, the hosts have opened the tele-voting. People have 15 minutes to vote for their favourite act. And what do the televiewers get during this time? You get ads on end... and it seems this interval is turning into a rather prolonged one. Though I’m not that keen on it, I believe it would have been much better to have some sort of filler. 

 

The filler seems to have been sorted - we have a recap of the 24 songs.  

 

And now that the 15 minutes are over, the tele-voting has been closed ...to be followed, of course, with another long list of ads. 

 

After a longish chit-chat with the contestants, when everybody was expecting the finalists to be announced, Chris and Moira take to the stage. And hey, why do we even need to have tomorrow’s final? Moira sounds brilliant tonight - let’s all vote her in, shall we? 

 

After two great performances by Chris and Moira, Alex Alden performs a cover of Verve’s Bittersweet Symphony. I personally think this wasn’t a very wise choice; you don’t have an unplugged performance as one of the fillers in a national contest.  

 

Qualifiers

 

Betrayed – Davinia (E Zarb / Muxu)

 

Love-O-Holic – Deborah C (Bejerholm / Gerard J Borg)

 

Never Walk Away – Chris Grech (M Borg / P Borg / D Cassar Torreggianni / C Grech)

 

Us Against the World – Gianni (Boris Cezek / Dean Muscat)

 

Perfect Day – Janice DeBattista (Boris Cezek / Dean Muscat)

 

Ultraviolet – Jessika (T G:Son / Philip Vella / Gerard J Borg)

 

Too Little Too Late – Domenique (M Paelnick / M Strasser)

 

Starting from the End – Dorothy Bezzina (Kaxe / Gerard J Borg)

 

Wonderful Today – Petra & Richard (Wayne Micallef / Richard Micallef)

 

Tomorrow – Gianluca Bezzina (Boris Cezek / Dean Muscat)

 

Fall Like Rome – Richard Edwards (Kaxe / Philip Vella / Gerard J Borg)

 

Needing You – Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

 

Superstar – Scar (Konrad Pule)

 

My Stranger Love – Corazon (Paul Giordimaina / Fleur Balzan)

 

When It’s Time – Claudia Faniello (Errol Sammut / C Faniello)

 

In Control – Amber (Paul Giordimaina / Fleur Balzan)

 

 

For televiewers, what proved to be the highlight of the show was the dismal sound quality throughout the first half of the show. Yet, all in all, I admit this evening showed a true improvement on previous years, probably due to the fact that artists who are not synonymous with the show participated for the first time, which improved the quality of the songs offered drastically. This also offered a bigger diversity in terms of song styles and genres, since lyricists and songwriters who used to write most of the songs in previous years seem to have lost their monopoly...

 

On the other hand, I must say the presenters did a better job this year. Yet, this is not because they were wittier or anything of the sort: they were just lucky that the elections are  round the corner. In fact, just to make sure that they combine two of the Maltese population's obsessions, they went all out with snide election remarks/jokes. It seemed funny at first, but then it all went floppy when they started stretching it. In a post-show press conference, it was revealed that the opening act in the final will be Superstar by Scar whilst the closing act will be Domenique with Too Little Too Late. The rest of the running order will be decided by the producers in the next couple of hours.

 

Source: TVM, escflashmalta.com

Friday, 01 February 2013 16:40

MESC 2013: Public Poll Predicts Qualifiers

The final preparations for this evenings' Malta Eurovision Song Contest are surely taking place at the Malta Fairs and Conventions Centre with a final run through of the show taking place this morning, ironing out the issues that might have arose during the dress rehearsal but everything is ready for the twenty-four entries to be performed on the largest stage that the country could offer. For all the details pertaining to the organisation of the evening, please refer to the earlier article posted. Nevertheless, the showcase will definitely be one to enjoy throughout. This online portal, escflashmalta.com has been asking people to select their favourite entry in this years' competition and following the submission of 6454 individual votes, which is 1838 more than the past year where Kaya had finished in the top spot ahead of Claudia Faniello. 

Predictions are not easy to make but nevertheless, we are going to give it a go and predict which sixteen will ultimately make it through to the final round of the selection tomorrow night, as chosen by the Public Poll. It is important to denote that this is not the perception of any of the members of the editorial team but of the general public with votes this year coming in from Malta, Belgium, Sweden, Norway, Greece, Cyprus, Australia and the United Kingdom amongst others. There were a lot of surprises in my opinion and some of those which were set to make it through just by virtue of their vocal skills might have not due to the fact that their entries are not thought to be strong enough. Nevertheless, in alphabetical order, this is the list of qualifiers;

Betrayed - Davinia (Elton Zarb / Muxu)

In Control - Amber (Paul Giordimaina / Fleur Balzan)

Keep Believing - Raquela (Raquela)

Let Your Heart Talk - Franklin (Ray Agius / Fleur Balzan)

Love-O-Holic - Deborah C (Johan Bejerholm / Gerard J Borg)

Loverdose - Melanie Zammit (Maria & Niclas Lundin / Gerard J Borg)

Needing You - Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

Never Walk Away - Chris Grech (Grech / P Borg / M J Borg / D C Torreggiani)

Overrated - Marilena Gauci (Philip Vella / Gerard J Borg)

Perfect Day - Janice DeBattista (Boris Cezek / Dean Muscat)

Starting from the End - Dorothy Bezzina (Magnus Kaxe / Gerard J Borg)

Tides of Illusion - Ylenia (Jason Cassar / Mario Farrugia)

Tomorrow - Gianluca Bezzina (Boris Cezek / Dean Muscat)

Ultraviolet - Jessika (Philip Vella / G:Son / Gerard J Borg)

Us Against the World - Gianni (Boris Cezek / Dean Muscat)

When It's Time - Claudia Faniello (Errol Sammut / Claudia Faniello)

escflashmalta.com would like to wish all of the participants competing in this years' Malta Eurovision Song Contest, the very best of luck, hoping that the best sixteen performances ultimately qualify to the final round of the selection process tomorrow night. There are always a couple of surprises in the eyes of the public but the jury would like to make sure that that special ingredient is selected on behalf of the country. The road to select the twenty-sixth representative and Kurt Calleja's successor commences this evening. Remember, that Keith Borg-Micallef will be doing a LIVE report of the show this evening, which in turn will air on TVM, TVM 2 and Radju Malta. Stay tuned to escflashmalta.com for all of the latest news.

Source: escflashmalta.com

http://www.youtube.com/watch?v=cjhBsCop3Ys

Published in Editorials

The Public Broadcasting Services will be hosting the semi-final of this years' Malta Eurovision Song Contest later tonight where twenty-four (24) entries will be competing to reach the final stage of the showcase, which is set to take place tomorrow night. Ultimately, sixteen (16) entries from this evening will survive with eight (8) being eliminated following a consensus between the public and the present jury which hails from Albania, Armenia, Belarus, Croatia, Ukraine, Italy and Malta. The Dress Rehearsal which took place last night was without any real glitches and it is important to denote that Elaine Saliba and Gordon Bonello are truly an inspiring pair with a relaxed script which is coming out as witty, and casual. Slight issues were amended and people could be ready to enjoy a spectacular show either on TVM, TVM 2 or Radju Malta whereas in the latter two, commentary will be provided in Malta to the local viewers.

The glitz and glamour of the competition is definitely extremely present this time round and there have been several additions to the dynamics of the stage in order to make it look extremely well placed on the tele-vision screens. In the meantime, the full guest list has been revealed to include local performers for this evening including last years' Malta Eurovision Song Contest winner, Kurt Calleja whose This Is The Night managed to make it through to the final albeit reaching a lower table position at the end of the evening. He will be joined by up and coming vocalist, Alex Alden as well as the 1994 Eurovision Song Contest representatives, Chris & Moira who will be doing a number of tracks from their repertoire. There have been no changes to the running order and as a matter of fact, all of the rehearsals that took place between yesterday and this morning, was seen in the manner that the public will see it.

01. Fall Like Rome – Richard Edwards (Kaxe / Philip Vella / Gerard J Borg)

02. Tides of Illusion – Ylenia (Jason Cassar / Mario Farrugia)

03. Perfect Day – Janice DeBattista (Boris Cezek / Dean Muscat)

04. Never Walk Away – Chris Grech (M Borg / P Borg / D Cassar Torreggianni / C Grech)

05. Overrated – Marilena (Philip Vella / Gerard J Borg)

06. No One’s Home – Petra (Wayne Micallef / Richard Micallef)

07. Starting from the End – Dorothy Bezzina (Kaxe / Gerard J Borg)

08. Too Little Too Late – Domenique (M Paelnick / M Strasser)

09. Ultraviolet – Jessika (T G:Son / Philip Vella / Gerard J Borg)

10. Let Your Heart Talk – Franklin (Ray Agius / Alfred C Sant)

11. When It’s Time – Claudia Faniello (Errol Sammut / C Faniello)

12. My Stranger Love – Corazon (Paul Giordimaina / Fleur Balzan)

13. Needing You – Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)

14. Superstar – Scar (Konrad Pule)

15. Loverdose – Melanie Zammit (N Lundin, M Lundin, Gerard J Borg)

16. Fantasy – Danica Muscat (Paul Abela / Joe J Farrugia)

17. Wonderful Today – Petra & Richard (Wayne Micallef / Richard Micallef)

18. Love-O-Holic – Deborah C (Bejerholm / Gerard J Borg)

19. Us Against the World – Gianni (Boris Cezek / Dean Muscat)

20. Keep Believing – Raquela (Raquela)

21. Tomorrow – Gianluca Bezzina (Boris Cezek / Dean Muscat)

22. In Control – Amber (Paul Giordimaina / Fleur Balzan)

23. The Remedy – Klinsmann (Kaxe / Philip Vella / Gerard J Borg)

24. Betrayed – Davinia (E Zarb / Muxu)

In a press release published by the Public Broadcasting Services this morning, it was revealed that commentary on the show through TVM 2 will be conducted by Norman Vella of the show TV Hemm as well as Rodney Gauci who will be hosting the backstage special whilst the duties on Radju Malta have been given to former Konkors Kanzunetta Indipendenza Chairman and Advisory Team Member, Frederick Zammit. In the meantime, escflashmalta.com will also be running a LIVE commentary with Keith Borg-Micallef, who is a music critic in his own right, so we indeed hope that you tune for his cheeky and realistic comments about the performances. The show in itself should be a spectacle for everyone to enjoy so if you live abroad and would like to watch, you can also do so through the official website of Television Malta.

Source: TVM, escflashmalta.com

Thursday, 31 January 2013 11:00

MESC 2013: The Day before the Semi-Final

Television Malta, the visual broadcasting method of the Public Broadcasting Services will be transmitting the semi-final of this years' Malta Eurovision Song Contest tomorrow night starting at 20:30 CET simultaneously on TVM and TVM 2, with a special commentary being offered on the latter for those who are not typically fans of the competition. The preparations for the competition officially commenced on Tuesday and all of the acts have now taken to the stage three (3) times in total although, this morning and this evening, will mark the first time that they will be performing in their respective running order. The set-up at the venue is quite impressive and it is coming across extremely well on screen, pointing out the element that, this is indeed, a television spectacle.

The editorial board of escflashmalta.com has been on hand at the rehearsals for the 2013 edition of the Malta Eurovision Song Contest and can say that the way that the preparations were done this year, is quite well suited. This is due to the fact, that the first day was organised for the set up of the lighting and the visuals with the second day focusing rather on the sounds with regards to main and backing vocals. Run throughs on the other hand will be quite pivotal to see the gelling together of the show but nevertheless, people will surely be expecting a couple of surprises. Amongst the guests that performed in the past couple of days, there were Ġorġ u Pawlu with their track Hot and Famous composed by Philip Vella and penned by Cher Vella, Kurt Calleja who will be performing a medley of international and personal hits and the cast of D.R.E.A.M.S who have prepared a stunning showcase in Maltese for all of the local viewers to enjoy.

In the meantime, earlier this morning, the National Press Service of Belarus was informed by BTRC, the broadcaster responsible for the nations' participation in the Eurovision Song Contest that the Head of Delegation, Olga Salamakha will be one of the jury members in what is said to be an international panel of judges for this years' competition although, some local members are expected as has been the case in recent years. Speaking to the press, Olga stated 'This year the Maltese entry will be chosen by the international jury composed of representatives of the companies that make part of the European Broadcasting Union'. It is also being discussed that the countries will be aiding each other in the respective promotional tour. It has been said by ESCKaz that the jury involves a panel coming from Albania, Armenia, Belarus, Croatia, Italy and Ukraine. Stay tuned to escflashmalta.com for all of the latest news.

Source: BTRC, National Press Service, escflashmalta.com

http://www.youtube.com/watch?v=EgaX5QuMGR8

Published in Local Music News

The package has always been coined as to being the element which the public and the jury must select to represent the country at the Eurovision Song Contest and one cannot deny that this element has not been analysed thouroughly by nations who have achieved success in the past. It has long been said that some nations who have not achieved positive results in recent years, are trying to turn back the time and check what they had done but nevertheless, times are changing and past formulas might not be the way to go and that is something that the Public Broadcasting Services has taken up in recent years, denoting a change of strategy with sheer professionalism becoming the element behind the actual selection process. Each of the competing acts in this years’ Malta Eurovision Song Contest have achieved promotion through both television and radio, whether individualistic or as a group altogether. Our portal in the meantime, has been looking at all of the tracks through a series of professional critiques by people who barely require an introduction within the international music market.  The one with the highest score will be given an award on the popular show Sas-Sitta which airs on NET Television. The final review of the series will be focusing on Wonderful Today, composed by Wayne Micallef to the lyrics of Richard Micallef with the vocalists being Richard and Petra

Introducing this duet, many people will realise that both Richard and Petra are already competing in the competition as soloists and therefore, having an additional track might not help with the overall giving of votes, both with regards to the jury and the tele-voting but the genre does differ in the tracks and this is due to the fact that they bring completely different vocals to the table which when come together form a vocal harmony which is beautiful.  Richard Edwards has become one of the most popular performers in the country having managed to finish third in tele-voting for two consecutive years with Finally and Look At Me Now which were both co-written with Jan Van Dijck, ultimately placing in second and sixth place respectively whilst Petra has been away for the competition in the past year having been a finalist in 2008 with Street Car of Desire composed by Elton Zarb to the lyrics of Rita Pace, in 2010 with the track All I Need composed by Andrew Zammit with lyrics by Keith Zammit and of course in 2011 when she had managed to get through with the song Unintentional, where she had gone back to her songwriting roots working with Elton Zarb and Rita Pace once more. The genres are absolutely different as already noted above but nevertheless, both have built strong reputations in the business. Since coming together as a romantic item in the past couple of months, several people have been wanting a duet and thus came the idea of this entry, Wonderful Today

http://www.youtube.com/watch?v=zAKJlEtmSts

The focus here is definitely on the entry that they are presenting as a duet rather than their solo performances which have already been analysed thouroughly by our professional panel of critics earlier on in the series. Wonderful Today could be best described as a pop/rock track with that little bit of a country twang which definitely suits both vocals equally. What is rather impressive about this entry is that there is a merge of vocals rather than someone trying to sound better and that is why, it is a vocal union.  The presentation is going to be crucial and many have come forward telling the editorial board that Richard has to calm down when it comes to the entrance because in the preview video, it looked as if he was set to start shouting at Petra and thus, it would not look good on screen. Nevertheless, I have no doubts that the professionalism of these artists like most of the other performers in the local music scene will see to it that certain issues will be ironed out. The songwriters of this entry are of course, the Micallef brothers who have written a number of tracks for the Malta Eurovision Song Contest in the past including Take Me Back Again in 2003 and It's Up to You in 2005. They will also be competing with two this year. It is quite unfortunate that Wayne could not participate as a solo artist this time round due to personal issues but nevertheless, his contributions are somewhat well noted.  

The Critics Speak Out

Rating: 62%

Sharon Vaughn: A Monster chorus. The verses don't match up to the choruses but the singers are amazing and sell this song.

Martin Isherwood: Nice idea for the chorus. Lyrics work ok despite the title. Voices are good. Competent but hardly distinctive in any way.

Stano Simor: Petra and Richard are extremely good singers. But the song did not touch me at all. It belongs to the average song of this competition and I think it will have a hard to enforce. We'll see, fingers crossed.

Roberto Meloni: Good singers! the song sounds a bit “old fashioned” but I like the combination of the voices and their complicity on the stage. 

Lina Eriksson: Maybe this song would have worked better as a solo-artist song? But then again I always have a hard time liking duets. As always I adore Richard but having Fall like Rome still playing in the back of my head….well this just isn’t as good.

Source: Public Broadcasting Services, escflashmalta.com

http://www.youtube.com/watch?v=pnTL6SFCtNA

Published in Editorials