January 23, 2020

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ONE Radio 92.7 and ONE Television are a unit, and when they present something in this manner, the result is even stronger than when aired on an individual basis. One such programme is "Clint on ONE", hosted by Clint Bajada, which aims to brings musicianship back into the term artist, promoting the singer in a setup where being comfortable is a necessity. Following the inauguration of the autumn/winter schedule, the programme made a much anticipated return, and today was proud to welcome Claudia Faniello.

Claudia Faniello, a female singer/songwriter who has significantly grown up through the festival circuit, having made her debut in the 2006 edition of the Malta Eurovision Song Contest, and going onto finish in the first runner-up slot on two occasions; in 2008 and 2012, is an instantly recognisable face.Her recent foray into radio, and a drastic positive image change has earned her a legion of fans. 

"When It's Time" and "One Fine Day", massive radio hits, both peaking at the top on local radio stations have cemented Claudia's role in the industry, one which will continue to grow with the release of her yet-untitled sophomore studio album, expected to drop in the near future. Watch and Listen to "Clint on ONE" every Saturday on ONE Television and ONE Radio 92.7. We urge you to stay tuned to escflashmalta.com even through Facebook and Twitter for all the latest news.

Source: ONE Television, ONE Radio 92.7


Published in Local Music News

Claudia Faniello, a regular face at the Malta Eurovision Song Contest throughout the years, has decided to opt out of the competition for the second consecutive occasion. The reasoning behind this is relatively straightforward, with the female singer/songwriter currently working on her sophomore album, the follow-up to the successful debut "Convincingly Better" which was released on the CAP-Sounds imprint.

The lead single off the record, "When It's Time" was a participating entry in the 2013 edition of the Malta Eurovision Song Contest and peaked at number #2 on Malta's Top Ten with Nathan D. It was the beginning of a different journey for Claudia, something that was given more life with the release of the second single "One Fine Day". Supported by a music and lyric video, all done in an extremely professional manner, the song managed to top Malta's Top Ten on 89.7 Bay for more than 3 weeks in a row.

Claudia Faniello follows in the footsteps of Davinia, as former runner-ups who will not be sending in any submissions for the 2015 Malta Eurovision Song Contest. You may support both female singer/songwriters through their official accounts on social networking website, Facebook. In the meantime, we urge you to stay tuned to escflashmalta.com even through Facebook & Twitter for all the latest news.


Published in Local Music News

In 2006, Claudia Faniello made her debut within the Malta Eurovision Song Contest with the track High Alert. Since then, the female vocalist has come an extremely long way, going onto release her debut album Convincingly Better with CAP Sounds with distribution handled by Universal Music Germany back in 2010.

This collection signalled the beginning of a new sound, one which surprised the public in a positive manner, ultimately leading to the release of When It's Time, a co-write with Errol Sammut which in turn competed as part of the Malta Eurovision Song Contest 2013. The track, written in a pop/rock genre finished in seventh place during the competition whilst managing to peak at number #2 on Malta's Top Ten with Nathan D on 89.7 Bay, where it has been given airplay for a relatively long period of time.

In support of the track, Claudia released an official music video, one which has amassed more than 11,000 views on viral website, YouTube, and which you could also view below. In an exclusive announcement to escflashmalta.com, Claudia Faniello revealed that she will not be entering the Malta Eurovision Song Contest in 2014, opting to work on her sophomore album alongside a number of esteemed songwriters.

escflashmalta.com is planning to support Claudia Faniello in all her upcoming endeavours, albeit, we have to be honest in stating we are going to be disappointed not to be seeing her name in lights for the first time in eight years. Her career thus far included two first runner-up finishes in the world of the Malta Eurovision Song Contest, with Caravaggio in 2008 and Pure in 2012. Stay tuned to escflashmalta.com for all of the latest news about the Malta Eurovision Song Contest 2014.

Source: escflashmalta.com


Published in Local Music News

In 2012, Pure composed by Philip Vella to the lyrics of Gerard James Borg with vocals by Claudia Faniello finished as the first runner-up at the Malta Eurovision Song Contest. The track went onto top the iTunes chart in the country, ahead of the winning entry, This is the Night which represented Malta at the international showcase, succumbing to a disappointing final position. Since then, the public have reportedly kept on asking Claudia to perform the track and indeed, she did during Echoes, a street concert in support of Puttinu Cares.

The difference between the performance at the Malta Eurovision Song Contest and the street concert is that at the latter, she performed the track in an unplugged manner and therefore, had to adapt with a timpani and a guitar. The result was fantastic and the emotion flowing through the vocals of the female vocalist was felt throughout the audience. Claudia Faniello returned to the Malta Eurovision Song Contest earlier this year, with a track she co-wrote with Errol Sammut, one entitled When It's Time, finishing in second place and reaching number #2 on Malta's Top Ten with Nathan D on 89.7 Bay. Alongside her co-writer, she is working on her sophomore album, a follow-up to her debut Convincingly Better. Stay tuned to escflashmalta.com for all of the latest news.

Source: Official Facebook Page


Published in Local Music News

Claudia Faniello, one of the most recognisable voices in the country has just released the music video for the song When It's Time which she penned to the music of Errol Sammut, lead singer of the band, Airport Impressions. The song itself was an entry in this years' edition of the Malta Eurovision Song Contest where it finished in seventh place, marking yet another top ten finish for Claudia Faniello following last years' first runner-up finish with the track Pure composed by Philip Vella to the lyrics of Gerard James Borg. The recording of this music video along with all of the technical framework were taken care of by the project Media Cast unveiled by Mcast a couple of years back.

Claudia Faniello is the younger sister of two time Eurovision Song Contest representative, Fabrizio Faniello and has seemingly garnered a strong fanbase in the country during the years noting the release of her debut studio album Convincingly Better, her two runner-up finishes at the Malta Eurovision Song Contest and her recent success on Malta's Top Ten with Nathan D, which is the local chart on 89.7 Bay. In the meantime, Claudia was also part of the escflashmalta.com coverage for this years' edition of the Eurovision Song Contest as she made her thoughts on the tracks competing in the first semi-final known. Remember that you could still purchase When It's Time by Claudia Faniello on iTunes whilst watching the video just below. Stay tuned to escflashmalta.com for all of the latest news.

Source: Official Facebook Page


Published in Local Music News

Claudia Faniello, first runner-up at the Malta Eurovision Song Contest in 2008 with the track Caravaggio written by Ray Agius and 2012 with the song Pure composed by Philip Vella and Gerard James Borg is currently working on a brand new set of tracks with Errol Sammut, lead vocalist of the band Airport Impressions. At this years' edition of the renowned competition, Claudia entertained the audience with the song When It's Time which finished in overall seventh place, garnering the support of both the public and the jury. It has now come to the attention of the escflashmalta.com editorial team that a promotional video is currently being shot to support the track and it's sale on digital store, iTunes

In 2010, Claudia Faniello was a firm favourite to represent Malta at the Eurovision Song Contest and had planned the release of a debut album whatever the result. The first studio set entitled Convincingly Better was met with positive reviews and gave Claudia the opportunity to vent her feelings out through song. She was nominated for Best Female Artist at the Malta Music Awards but ultimately missed out. CAP-Sounds, the company which has aided the release of most of the Eurovision Song Contest entries from Malta is responsible for all of Claudia's releases thus far. The official video of When It's Time is being coordinated by a group of students who are studying the subject of film. You could view the first teaser below as we at escflashmalta.com ask you to stay tuned for all of the latest news. 

Source: Claudia Faniello (Facebook, Twitter)


Published in Local Music News

89.7 Bay is the leading radio station in Malta for four years in a row and has a positive track record in supporting the local music scene. On a weekly basis, Nathan D counts down the ten most played tracks from Maltese artists and for the second year in a row, an entry for the Malta Eurovision Song Contest has made the cut, in the form of When It's Time performed by Claudia Faniello and co-written alongside Errol Sammut of the popular band, Airport Impressions. Claudia is one of the nations' leading female artists has decided to rebrand herself this time round with a song which was appreciated by the public and the jury alike.

During the 2012 edition of the Malta Eurovision Song Contest, Claudia found herself within grasp of victory with the song Pure composed by Philip Vella to the lyrics of Gerard James Borg but she did not wish to take up the genre once more with the idea of embracing the style that she sees herself evolving with, noting that a sophomore album is seemingly on the way. The track which was released through iTunes by virtue of CAP-Sounds is currently at number #7 on 89.7 Bay as a new entry, hoping to rise further in the coming weeks cementing her success within the genre. Stay tuned to escflashmalta.com for all of the latest news.

Source: 89.7 Bay


Published in Local Music News

Claudia Faniello, one of the finalists in this years' edition of the Malta Eurovision Song Contest is somewhat continuing the successful trends of releasing material through a digital store because following the earlier release of Deborah C, she follows with her entry When It's Time co-written alongside Errol Sammut of Airport Impressions. The formidable female performer decided to rebrand her image in the competition and has taken up a genre which she has been somewhat playing about with for quite some time, noting pop/rock influences in the form of Movie In My Mind composed by Philip Vella and penned by Gerard James Borg back in 2011.

Finishing in fifth place with the public, and seventh place with the jury out of a selection process which comprised of sixteen songs was quite intriguing for her new genre, with the final placing being seventh in total. When It's Time has received positive comments across the board and now you could also own a copy of the version as presented during the festival by purchasing it through iTunes where it has been digitally released by CAP-Sounds, the same company with which Claudia Faniello had released her debut album, Convincingly Better back a couple of years back. Stay tuned to escflashmalta.com for all of the latest news about artists within the local music scene as soon as it becomes available.

Source: CAP-Sounds, iTunes, Emil Calleja Bayliss (Image)


Published in Local Music News
Saturday, 02 February 2013 17:30

Malta Eurovision 2013: The Final - LIVE

For the past twenty-five years, Malta has selected entries which have achieved various results, including close first runner-ups in 2002 and 2005 respectively, but nevertheless, in a minority when it comes to the non-winners' circle alongside nations such as Iceland, Cyprus, Albania, Poland, Romania, Slovakia, Portugal, Moldova and Belarus amongst others. This time round, our nation will be sending the twenty-sixth representative from a field of sixteen (16) entries which were shortlisted from an earlier list of twenty-four (24) as performed during the semi-final last night. The chosen act will hopefully follow in the footsteps of Kurt Calleja who qualified for the final with his track This Is The Night last year. The Malta Eurovision Song Contest has become something of a tradition in the past couple of years and despite the technical issues yesterday, one will be hoping for a much smoother transmission this evening!

This years' edition of the Malta Eurovision Song Contest is being broadcast through TVM, TVM 2 with special commentary by Norman Vella and Rodney Gauci, Radju Malta with commentary by Frederick Zammit and also through the official website of the Eurovision Song Contest. The hosts for the evening will be Elaine Saliba and Gordon Bonello whose roles will surely be larger this evening considering that they will be interviewing each of the sixteen (16) acts that made it through to the final. Rodney Gauci will also be doing a number of backstage interviews during the show in order to give the audience, a behind the scenes element. A number of special guests will be taking to the stage this evening including; Gorġ u Pawlu with the song Hot & Famous, the Swiss representatives; Heilsarmee who will be singing their entry You and Me, Kurt Calleja who is set to do a medley of original and cover songs and last but not least, the cast of D.R.E.A.M.S who will be opening the show with a medley of original songs in Maltese.

All right, the show is ON! The cast of DREAMS have taken to the stage... but those watching the commented version have been taken to the side to listen Norman and Rodney, blabbing. If “Majestuz, kbir” are the sort of comments we’ll be having, then I rather doubt many will be watching it on TVM2. OK, Norman, you’ve already cracked this joke. No need to keep telling us about Anton making you comment in exchange of a 2 free tickets. Will this commented version really be a side-watch of these two blabbing away? We’re missing out on the whole show. Please! 

It seems to have hit them, finally. We’re now watching the DREAMS cast giving what I can call a splendid performance. It’s cool to have this sort of Medley in a fun manner. Thumbs up to DREAMS - great opening! 

I can’t, for the life of me, follow this commented version. I wouldn’t mind skipping half the show if these two were really good at it. But they are wooden. The comments are, well, non-existent and they really look tacky with people just popping by to say something. Off to TVM, as it’s the show I’m interested in, anyway.  

Gordon and Elaine seem set to give a better show tonight. No, I have to take that one back... it’s too rehearsed. Elaine replies to the jokes before they are even completely spoken. It’s also looking a tad too wooden. And what do you do when you’re stuck? Well, you ask Carlo Borg Bonaci to save you, of course. Actually, this gets me thinking. Why couldn’t he have been the host? He’s great personality, really. Just a couple of lines and the ice has now been totally broken.  

Running Order

01. Superstar - Scar (Konrad Pule)

Scar gave a good show; the whole performance is convincing, with very strong stage presence. The leading singer is enjoyable and there’s utmost harmony in the group. In Calvin Klein laid-back looks, this cool pop-rock act is a twist you simply need to have in such a final. There’s nothing too fancy - and that’s surely a plus. Having said that, upon listening to the song more than once, you realise there’s very little to it. The structure and the idea work well, but you get the feeling there is something missing. I like it, yet it would have to undergo some serious arrangements in order to be deemed strong. As it is, it’s too much of a hey-it’s-good-but-nothing-major.  

02. Starting from the End - Dorothy Bezzina (Magnus Kaxe / Gerard James Borg)

One cannot overlook the great chorus of this song, it accompany’s Dorothy beautifully: it simply puts the song on an altogether higher level. Today’s performance, if possible, seems even stronger! You simply have got to love how Dorothy seems to play with the vocals with such ease; something to be truly appreciated in such contests. You can really feel the energy coming your way with the melody. Yet, though it was to be expected that the song would go through to the final, I think it will be hard for Dorothy to be Malta’s envoy: this is surely not the singer’s fault, but merely the song’s. It seems to me it lacks that little something which makes you say “that’s it!”  

03. My Stranger Love - Corazon (Paul Giordimaina / Fleur Balzan)


You can tell Corazon is doing her best to deliver. She has a good command of the voice; she knows how to work with it. It literally sounds like something coming out Disney! And yet, could anyone tell me what the song is really saying? I cannot quite put my finger on it: yes, there are many flowery words and all, but you can’t impress with that, can you? Also, the dress just didn’t work here. In fact, it looks so much better while she sits at the piano (rather Alicia Keys kind of thing if you ask me). Unfortunately, though I don’t mind it all that much, the history of the Eurovision works against this act: hardly do you see such songs doing well. All in all, I quite doubt she’ll be a high-flyer tonight. 

04. Ultraviolet - Jessika (Thomas G:Son / Philip Vella / Gerars James Borg)

Jessica simply loves the Eurovision - this is the first thing you notice once she takes to the stage (that and her hair look, very edgy, actually!) The singer oozes energy from all her pores. I like the singer more than I like her song, which doesn’t really tickle my fancy. Unfortunately, I don’t think this particular song does her justice; it comes across as if she’s straining her voice, though at some instances it strangely becomes really appealing and convincing. Possibly that’s the swedish element by G:Son...which could ultimately do well in Sweden this year. The song needs to be re-touched and enhanced in many aspects. As it is, I believe the song won’t place among the top ones. I must concede, though, that today’s performance was so exceedingly better than yesterday’s! 

05. Us Against the World - Gianni (Boris Cezek & Dean Muscat)


Gianni’s vocal range is limited, so you can easily notice he struggles with certain notes. However, this doesn’t really make you dislike the song. Actually, the very chilled feel that comes off that stage when Gianni and his band are at it is somehow pleasing. I think it evokes a something-Indie-like feel, which is rather nice on the ear. The only thing is that when you listen to the song per se you would imagine someone younger singing it. Though it’s generally good, I think it wouldn’t perform well in Sweden.  

06. Betrayed - Davinia (Elton Zarb / Muxu)


If you wouldn’t be looking at the TV, then you would just have to do it once Davinia starts singing. She has a peculiarly sultry voice, which really breaks the routine. I think that in reality, more than to the song itself, people listen to the daunting voice. I'm in a bit of a predicament, I think that on the whole I’m rather happy with the diversity this song has to offer. It’s very cool and in, and you can’t dispute that. The song will have to be enhanced and given a stronger feel to it. It really wouldn’t displease me if this act flies to the top.  

07. Needing You - Kevin Borg (Borg / Gribbe / Thornholm / Attlerud / Clauss)


Kevin is a strong singer. His winning the Swedish Pop Idol sort of proves that. It is exactly because you’d have high expectations that you would be looking forward to a really strong song. This is a hooking ballad, but I would say it has a bit of an old feel to it. The whole show was a good one; the voice, the lyrics, the melody. I can’t quite understand the purpose of having that model/dancer coming out at the last bit of the show, though... that’s surely an unnecessary element. I tried making myself like the song more, especially because I believe tonight's was much stronger and it stands a very good chance of making it to Sweden (at least if all that clapping and people standing is anything to go by), but I just cannot fall in love with it. Oh well.  

08. Fall Like Rome - Richard Edwards (Magnus Kaxe / Philip Vella / Gerard James Borg)

I really believe Richard has a beautiful voice; and his immaculate diction just renders his singing even more hooking. The looks are good - laid-back, yet stylish. That’s exactly what this sort of song asks for. I have my reservations when it comes to the song per se. I was expecting Richard to present us with something better and altogether stronger. The lyrics are too loaded, and I feel sort of confused in trying to grasp what it’s saying. The melody is very good and his falsetto skills are rather good (though yesterday they seemed more evident). Today's performance was dirtier than yesterday, also. But Richard is one of those who could have the so-called ‘package’ - but that will demand some thorough work on the arrangements.  

09. Perfect Day - Janice DeBattista (Boris Cezek & Dean Muscat)

Janice has a pleasing voice, but I can’t really get through to the song. I don’t like what she’s done with the attire and all... it almost looks dull. I think that such a young singer could play more with it. As for the song, it just doesn’t do it for me. I’m bored all through. Most of the others are head and shoulders above this one. I think it would get lost in the crowd were to be Malta’s envoy. It’s something you listen to just one - if at all. 

10. Love-O-Holic - Deborah C (Johan Bejerholm / Gerard James Borg)

This is the typical cliché you would be happy to have missed, then it pops up on TV and it knocks you down. There’s really nothing much I have to say about this one. I’m just surprised to find it in the final. I think that the semis were already too much of a present. When the song starts you think it’s so bad that it just has to get better. Alas, it really doesn’t. I concede that Deborah looks very natural on stage, but that’s not enough. Having said that, I believe this song is one of those you can either love or hate. I belong to the latter group. 

11. When It's Time - Claudia Faniello (Errol Sammut / Claudia Faniello)


Claudia is one of the few singers who gets better as an artist with each passing year. I don’t like the outfit much; I can’t seem to place it. I like the song and the music. Her rock-like voice blends in very well. The chorus is also a catchy factor in this one. All in all, it’s a song you want to listen to, and today’s performance was more powerful! However, I believe it needed some more work in reality. She should do well, yet it’s not this year’s winning song. It lacks that final convincing element. 

12. Tomorrow - Gianluca Bezzina (Boris Cezek & Dean Muscat)

Gianluca’s personality is as infectious as is his song: I honestly believe it has all the prerequisites. And I'm even more convinced after today's performance! The song has good lyrics and melody, and the vocal range of the singer perfectly accompanies the whole act. In reality, there is nothing really ground-breaking with the song, but with everything seemingly falling into place, you just get to like it and, well, you have to sing along. Some have said it’s not very Eurovision-friendly, but I wholly disagree with that. I think it could stand out in the crowd were it to make it. Come on, Gianluca, win! (And take Dorothy with you, for the backing! Yes!) 

13. Never Walk Away - Chris Grech (Grech / P Borg / M Borg / D Cassar Torreggiani)

I understand the hype surrounding this song/singer. He has great vocal skills in reality. The husky voice gives a nice feel to the song. The laid-back look is also welcome. If I have to come clean, however, I would say that the song lacks a proper climax. I listened to it all because what he does with the voice is really good. I think that with a good arrangement, this pop-rock one could easily become a radio hit. It definitely stands a good chance tonight, and it’s indeed one of my faves.  

14. Wonderful Today - Petra & Richard (Wayne Micallef / Richard Micallef)

I like Richard. I like Petra. But I don’t like them together here. I think Petra’s solo should’ve made it instead of this one. It was definitely stronger. The voices don’t seem to blend well together. Petra seemed overpowering to me. I am not too keen on the chorus, either. I was never too fond of duets, as it takes a special something for it to work as expected. Sadly, I didn’t see that tonight. 

15. In Control - Amber (Paul Giordimaina / Fleur Balzan)

Amber has great stage presence; she seems really comfortable up there. Unfortunately, I don’t think the attire has helped her much; nor did that of the backing vocalists’. It seems to me there was too much going on. She is usually the sort of singer you wouldn’t forget.  Well, after tonight, we’ll remember her for sounding a tad too sharp (not really in control) - better than yesterday, granted, but still not 100%. In any case, I don’t think this particular song breaks much ground. It has a good flow to it, yes, but that won’t work enough wonders.  

16. Too Little Too Late - Domenique (Marc Paelinck / Matthias Strasser)

I feel there’s hardly anything appealing about this act. The singer looks much older than she is. I can’t understand why they would make her go for such heavy makeup, jewellery and hair-do - she’s a pretty girl, and that’s evident. Overdoing was counterproductive.  The song just doesn’t convince me: it’s too much of a sombre ballad and she seems to find it difficult to change register. At times she was completely off. Again, there were much better songs that could’ve been here instead of this one. 

The Show (Part 2)

So the 16 acts are now over. Everything ran smoothly tonight, so the singers seem very pleased. In fact, after a recap to refreshen the audience’s memory, we are now being taken on a tour among the participants. And of course, we have a comfy, laid-back chit-chat with all of them. 

Time’s up! Tele-voting has now been closed. We’re taken back for some more small chat with the 16 contestants who, with each passing minute, look more and more anxious. In reality, this is the moment I dread the most. You get bombarded with loads of adverts, which ultimately just tire you out and make you contemplate whether you should just change channel or not. 

Seems like Petra and Richard’s wasn’t the only duet for the night. Gorg and Pawlu have now joined Elaine on stage and they seem to be prepared to perform their long-awaited Hot and Famous. All right, it’s just a rip-off of Gangnam Style and Slamdog Millionnaire. Mediocre, really. Some music playing, a lot of people dancing in the background and Rodney and Gordon disguised as Gorg and Pawlu. I may be very difficult to please, but whoever thought this would be fun was incredibly mistaken..so it’s really bad when Elaine asks for a “capcipa kbira”!  

OK, taking the stage now are the act representing Switzerland in this year’s Eurovision. I believe that if we make the right choice, we could actually do better than them.  Following is Kurt Calleja ...and he seems to have decided to go for a big performance. Well, albeit not impeccable (OK, you're right, it's a showcase of how-to-be-off), it has at least helped shake off the dullness that was about the engulf this second part of the night. 

Funnily enough, though we are still awaiting the results, it is being rumoured on another website that Amber is the winner. The website has since removed the page and it stated it was a technical error. Well, we'll soon discover that - the judges are now announcing their votes! 

Gianluca Bezzina is now leading the show, for the judges seem to have chosen him over Kevin Borg (who won the public vote). And it is with Carlo Borg Bonaci that we've had the confirmation - 

I cannot be any happier in announcing that GIANLUCA BEZZINA is the winner! Tomorrow will be representing Malta in Sweden! The audience doesn't seem all that happy, as the clapping has gone missing after Kevin Borg was confirmed first runner-up. 

One cannot not give credit to PBS when this is due. Tonight’s show ran smoothly - the sound, too, worked well. It’s good to see they have worked hard to make sure there wouldn’t be any snags today (unlike yesterday’s!) But that is where the praise starts and ends.  


What about the ‘jokes’? Don’t you think they were just as tacky? I saw no wit and no fun there. Of course, they couldn’t possibly harp on about politics: their bee in the bonnet must have been given some fresh air. (To which we all said “yaaayyy”, right?) Then we had: “liii tenk god ma libsitiex Carina” - Seriously, Gordon? Did you actually think that was a sharp one? No, throwing a jibe at Carina here and there just didn’t save the day. Nor did those crappy poems. Who comes up with these ‘brilliant’ ideas? 


I also think Elaine Saliba, despite being an adorable girl, just isn’t cut for this kind of thing. I still believe that Valerie Vella should host this show. She is polite, elegant and knows how to be pungent, without ever crossing the line. 


However, tonight we had an extra. We had the commented version on TVM2. I had to go back and forth to check what great work they were doing on the other side... and well, each time I was let down. You simply have to ask it: why, exactly, would they have a commented version without having decent commentators? Norman Vella may have been blessed with many things, but pungent remarks aren’t among that list.  

Euphoria performed by Loreen at last years’ edition of the Eurovision Song Contest set a high standard for the competing entries of this years’ showcase especially having achieved success all over the continent including in major music markets such as Germany and the United Kingdom. Record Labels have somewhat started to endorse the competition in the past couple of years due to the fact that millions of viewers are watching an artist perform a track, which could make it a potential hit and as a matter of fact, it has to be noted that Alexander Rybak, Lena Meyer-Landrut and Loreen have all succeeded in their respective music careers. In Malta, the success of artists has somewhat been noted with Kurt Calleja who is working on a number of new tracks with foreign songwriters whilst being represented by a British manager. This years’ Malta Eurovision Song Contest is somewhat an intriguing affair and twenty-entries will be competing to represent the nation abroad. Promotion has been key and escflashmalta.com has taken each entry and presented it through a series of professional critiques. The penultimate entry is entitled When It’s Time and is performed by Claudia Faniello who also penned the lyrics to the music of Errol Sammut.

This will be the eighth entry that Claudia Faniello will be presenting for the Malta Eurovision Song Contest having come extremely close to first place in the past, most recently in 2012 when her entry Pure composed by Philip Vella and penned by Gerard James Borg won the jury but failed to garner the tele-voting portion. It is important to denote that other entries she presented which stood out were definitely Caravaggio composed by Ray Agius and penned by Godwin Sant, Sunrise written by Ray Agius and Movie In My Mind composed by Philip Vella and penned by Gerard James Borg in 2008 and 2010 respectively. Claudia has become somewhat of a veteran an extremely young age having won the Konkors Kanzunetta Indipendenza back in 2006, just months after having come out of the reality television series Hotspot which aired on NET Television with a performance at the then Malta Song for Europe as an experience boost. Her debut album entitled Convincingly Better was well received by local and foreign critics and was distributed by Universal Music Germany under the sub-division known as CAP-Sounds. Claudia is also one of the few artists to have tried for the Giovani section of Sanremo, having entered the track Guardami which she co-wrote.


In recent months, Claudia started a professional and personal relationship with Errol Sammut, lead performer and songwriter of the group Airport Impressions whose debut album Minutes of a Lifetime has been extremely well received by critics and has won several awards, both at the Malta Music Awards and the Bay Music Awards respectively. This collaboration is bearing its first fruit with the track When It’s Time which was not intended for the competition due to the fact that it has a radio sound, which was somewhat unexpected. The renowned female performer states that this is the beginning of a new chapter for her musically and that she will be working with Errol on a series of tracks which she hopes to release as a sophomore album. The reception to the pop/rock/acoustic entry has been quite positive although people were set to compare it to last years’ glowing masterpiece which in the eyes of many is still a winner. The songwriters are Claudia and Errol Sammut as already mentioned and it is to be noted that the performer is not penning lyrics for the first time having written L-Imħabba Għamja in 2007 whilst working with both Janvil and Christian Arding on entries for the competition in 2009. Airport Impressions will be heading back into the recording studio to work on new material soon.

The Critics Speak Out

Rating: 56%

Sharon Vaughn: Too many moving parts in this song. She is a very emotional singer and the song needs to land so she can deliver the message without working so hard.

Martin Isherwood: Strong chorus but what it means I don't know. Lyrics don't really allow the listener to engage. Good voice and a good performance. Interesting snare sounds. Despite being musical, not a good Eurovision song.

Stano Simor: Big Rock singer of Malta with years of experience. All of this is being felt at the first tones. Performance of the singer is one level higher as the feeling of the power of the song. Very unusual "omission" with regards to the last guitar chord at the end of the song. Should it be under 3min :-)? Chorus is very catchy and recognizable which is important.

Roberto Meloni: Claudia is definitely a professional and high quality performer. I loved her ballad “Pure”, and I m not the only who thinks she should have represented Malta in 2012… Her “rocky raspy” voice fits this song very well, and she will do very well this year too.

Lina Eriksson: Both song and production feels a few years late to be honest. I do like her rock-voice but this song doesn’t really do her justice. It feels like we’ve heard this song oh so many times before.

Source: Public Broadcasting Services, escflashmalta.com


Published in Editorials